Francesco Albotto (1721–1757) was an Italian painter from
Venice, mainly producing vedute. He was a pupil of
Michele Marieschi. After Marieschi's death, Albotto married his widow and took over his shop,[1] and continued to produce paintings in a similar style until his own death, which has led to some problems in attributing paintings to Marieschi versus Albotto.[2]
Works
Veduta del Molo e del Bacino di San Marco, Sotheby's, New York,
San Giuseppe di Castello (1745), oil canvas, private collection
Campo Santi Giovanni
Molo San Marco
Capriccio con obelisco, oil canvas, Galleria Lorenzelli, Bergame,
Capriccio con obelisco e arco gotico, oil canvas, Gallerie dell'Accademia, Venise,
Campo dei Santi Giovanni e Paolo, oil canvas, Gallerie dell'Accademia, Venise,
View of grand canal with the Santa Maria della Salute church, oil canvas,
View of the camp and doors of the Arsenal (1743–1746),[3]
View of the Piazzetta, with the Palazzo Ducale and the Biblioteca Marciana, Westbury Fine Art ltd, oil on canvas
Bibliography
R. Toledano, Michele Marieschi: l'opera completa, Milan, 1988,
Dario Succi, Marieschi: tra Canaletto e Guardi, catalogue, Turin, 1989,
M. Manzelli, Michele Marieschi e il suo alter-ego Francesco Albotto, Venise, 1991,
Domenico Sedini, Francesco Albotto, online catalogue Artgate of the Fondazione Cariplo, 2010, CC-BY-SA.
Miklós Boskovits, Giorgio FossaluzzaLa collezione Cagnola. I dipinti, editor: Nomos Edizioni,
Busto Arsizio, 1998.[4]
References
^Juergen Schulz (2004). The New Palaces of Medieval Venice. Penn State Press. pp. 145–146.
ISBN0-271-02351-1.
^"Michele (Giovanni) Marieschi". The Glory of Venice: Art in the Eighteenth Century. Yale University Press. 1994. p. 466.
ISBN0-300-06186-2.