Original file (3,456 × 2,304 pixels, file size: 4.07 MB, MIME type: image/jpeg)
 | This is a file from the
Wikimedia Commons. Information from its
description page there is shown below. Commons is a freely licensed media file repository. You can help. |
Summary
| Description |
On Experiments in Art and Technology In his lecture Robert Whitman discusses the way that he has used space as part of the vocabulary of his installation and performance pieces. In 1966 Whitman was one of the New York artists who worked with Billy Klüver and more than 30 engineers and scientists from Bell Telephone Laboratories to create works for the now legendary 9 Evenings. Whitman was also one of the co-founders of Experiments in Art and Technology along with Billy Klüver, Fred Waldhauer and Robert Rauschenberg. And he was one of the core artists for the Pepsi Pavilion at Expo ’70, in Osaka, a project administered by E.A.T. One of the main features of the interior of the Pavilion was the central performance space in a 90 feet diameter 120 degree spherical mirror made of aluminized reflective PET film, which produced real images of the visitors hanging upside down in space. Robert Whitman (US) is best known for the more than forty seminal theatre pieces he produced during the early 1960s that combined audio, actors, film, slides and evocative props in environments of his own making. Since the late 1960s he has collaborated with engineers, scientists and artists on installations and works that incorporate new technology: laser sculptures, optical reflector systems, and more recently, cell phones. |
| Date | |
| Source | Sonic Acts - Robert Whitman. |
| Author | Rosa Menkman from amsterdam, Netherlands |
Licensing
- You are free:
- to share – to copy, distribute and transmit the work
- to remix – to adapt the work
- Under the following conditions:
- attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
|
This image was originally posted to Flickr by R▲▲S at https://www.flickr.com/photos/68716054@N00/4390122920. It was reviewed on 2 March 2010 by FlickreviewR and was confirmed to be licensed under the terms of the cc-by-2.0. |
Licensing
|
Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.2 or any later version published by the Free Software Foundation; with no Invariant Sections, no Front-Cover Texts, and no Back-Cover Texts. A copy of the license is included in the section entitled GNU Free Documentation License. |
- You are free:
- to share – to copy, distribute and transmit the work
- to remix – to adapt the work
- Under the following conditions:
- attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
File history
Click on a date/time to view the file as it appeared at that time.
| Date/Time | Thumbnail | Dimensions | User | Comment | |
|---|---|---|---|---|---|
| current | 21:28, 1 March 2010 |
| 3,456 × 2,304 (4.07 MB) | Willem 90 | {{Information |Description=On Experiments in Art and Technology In his lecture Robert Whitman discusses the way that he has used space as part of the vocabulary of his installation and performance pieces. In 1966 Whitman was one of the New York artists wh |
File usage
Global file usage
The following other wikis use this file:
- Usage on ar.wikipedia.org
- Usage on arz.wikipedia.org
- Usage on fr.wikipedia.org
- Usage on uk.wikipedia.org
- Usage on www.wikidata.org
