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Summary

Dominic Serres: The Piazza at Havana   wikidata:Q50865940  reasonator:Q50865940
Artist
Dominic Serres  (1722–1793)    wikidata:Q3035468
 
Dominic Serres
Alternative names
Dominic Serres the Elder
Description British-French painter
Date of birth/death 1722  Edit this at Wikidata 1793  Edit this at Wikidata
Location of birth/death Auch Marylebone ( London)
Work location
London (1758–1793); Spain; Hamburg  Edit this at Wikidata
Authority file
artist QS:P170,Q3035468
image of artwork listed in title parameter on this page
Title
The Piazza at Havana  Edit this at Wikidata
label QS:Len,"The Piazza at Havana"
Object type painting
object_type QS:P31,Q3305213
Description
English: A depiction of an episode from the last major operation of the Seven Years War, 1756-63. It was part of England's offensive against Spain when she entered the war in support of France late in 1761. The British Government's response was immediately to plan large offensive amphibious operations against Spanish overseas possessions, particularly Havana, the capital of the western dominions and Manila, the capital of the eastern. Havana needed large forces for its capture and early in 1762 ships and troops were dispatched under Admiral Sir George Pocock and General the Earl of Albemarle.

The force which descended on Cuba consisted of 22 ships of the line, four 50-gun ships, three 40s, a dozen frigates and a dozen sloops and bomb vessels. In addition there were troopships, storeships, and hospital ships. Pocock took this great fleet of about 180 sail through the dangerous Old Bahama Strait, from Jamaica, to take Havana by surprise. Havana, on Cuba's north coast, was guarded by the elevated Morro Castle which commanded both the entrance to its fine harbour, immediately to the west, and the town on the west side of the bay.

This is a view of the 'Piazza' of Havana under occupation, (a now unaccountable Italianization in the received title, since it should be 'Plaza' in Spanish) showing the buildings and emptied-out open space bathed in brilliant sunlight. A group of three British sailors stand in shadow in the left foreground, with two more visible beyond the fountain. A platoon of soldiers in red jackets drills in the sunshine in the distance. The painting was one of a pair with 'The Cathedral at Havana, August-September 1762', BHC0417. For further details on the capture of Havana and the other paintings in this series, see BHC0408.The series in fact consists of two groups, six larger paintings with naval emphasis, and five smaller ones (including this) which focus more on the army and the town. Since they are all of Keppel family provenance, it is assumed that the naval ones were painted for Augustus Keppel, the naval second-in-command, and the others for his older brother George, Earl of Albemarle, the overall army commander.
Date circa 1762
date QS:P571,+1762-00-00T00:00:00Z/9,P1480,Q5727902
Medium oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
Dimensions height: 83.5 cm (32.8 in); width: 122.3 cm (48.1 in)
dimensions QS:P2048,83.5U174728
dimensions QS:P2049,122.3U174728
institution QS:P195,Q1199924
Current location
Accession number
BHC0418
Credit line National Maritime Museum, Greenwich, London. Accepted by HM Government in Lieu of Inheritance Tax and allocated to the National Maritime Museum, 1983.
References Royal Museums Greenwich
Source/Photographer National Maritime Museum BHC0418

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current 21:50, 30 October 2011 Thumbnail for version as of 21:50, 30 October 20112,500 × 1,715 (175 KB)Botaurus== {{int:filedesc}} == {{Artwork |artist = {{Creator:Dominic Serres}} |title = ''The Piazza at Havana'' |description = {{en|A depiction of an episode from the last major operation of the Seven Years War, 1756-63. It was part of E
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