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Summary

Dominic Serres: The Capture of Havana, 1762: The Morro Castle and the Boom Defence Before the Attack   ( Wikidata search (Cirrus search) Wikidata query (SPARQL)   Create new Wikidata item based on this file)
Artist
Dominic Serres  (1722–1793)    wikidata:Q3035468
 
Dominic Serres
Alternative names
Dominic Serres the Elder
Description British-French painter
Date of birth/death 1722  Edit this at Wikidata 1793  Edit this at Wikidata
Location of birth/death Auch Marylebone ( London)
Work location
London (1758–1793); Spain; Hamburg  Edit this at Wikidata
Authority file
artist QS:P170,Q3035468
Title
The Capture of Havana, 1762: The Morro Castle and the Boom Defence Before the Attack
label QS:Len,"The Capture of Havana, 1762: The Morro Castle and the Boom Defence Before the Attack"
Object type painting
object_type QS:P31,Q3305213
Description
English: A depiction of an episode from the last major operation of the Seven Years War, 1756-63. It was part of England's offensive against Spain when she entered the war in support of France late in 1761. The British Government's response was immediately to plan large offensive amphibious operations against Spanish overseas possessions, particularly Havana, the capital of the western dominions and Manila, the capital of the eastern. Havana needed large forces for its capture and early in 1762 ships and troops were dispatched under Admiral Sir George Pocock and General the Earl of Albemarle.

The force which descended on Cuba consisted of 22 ships of the line, four 50-gun ships, three 40s, a dozen frigates and a dozen sloops and bomb vessels. In addition there were troopships, storeships, and hospital ships. Pocock took this great fleet of about 180 sail through the dangerous Old Bahama Strait, from Jamaica, to take Havana by surprise. Havana, on Cuba's north coast, was guarded by the elevated Morro Castle which commanded both the entrance to its fine harbour, immediately to the west, and the town on the west side of the bay. A landing was made without opposition six miles east of the castle on 7 June. On 1 July the 'Cambridge', 80 guns, 'Marlborough', 70 guns, and 'Dragon', 74 guns, were ordered to bombard the castle but were driven off with heavy losses, including Captain Goostrey of the 'Cambridge',. On 30 July a breach was made with mines in a wall of the castle and it was taken by storm. After its capture the fall of Havana was inevitable and took place on 11 August. In addition to stores and valuables, nine Spanish ships of the line were captured.

The painting shows the Spanish preparations before the siege. The Morro Castle is on the left and the entrance to the harbour of Havana is blocked by sunken ships and a boom defence. A gun is being hoisted or lowered above the Shepherd's Battery, with the star-shaped Apostles' Battery (from its twelve embrasures) immediately to the right. This is one of a series of eleven painted by Dominic Serres to illustrate the principal events of the campaign for the Keppel family, of whom three distinguished brothers served at Havana: George Keppel, 3rd Earl of Albemarle (1724-72) was the army commander-in-chief; Commodore the Hon. Augustus Keppel (1725-86), who was naval second-in-command and Major-General the Hon. William Keppel (1727 -82), who directed the storming of the Morro Castle.
Date 1770
date QS:P571,+1770-00-00T00:00:00Z/9
Medium oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
Dimensions height: 83.8 cm (32.9 in); width: 175.3 cm (69 in)
dimensions QS:P2048,83.8U174728
dimensions QS:P2049,175.3U174728
Object history Painted for General George Keppel, 3rd Earl of Albemarle (1724–1772) or his brother, Admiral Augustus Keppel, 1st Viscount Keppel (1725–1786), and thence by inheritance to the last owners.
sold at Sotheby's, London, 06 July 2016, lot 43
Exhibition history On long term loan to the National Maritime Museum, Greenwich, 1948 to 2015, accession number BHC0408
Inscriptions

Signature and date bottom right:

D. Serres . 1770 .
Notes The artist himself knew Havana from his earlier sea-going career and may have lived there for a short period. Serres also did a second set of eleven paintings of the capture Havana, which were engraved by P.C. Canot. Nine of these were entirely different views, one a variant version of the British landing and one a close version of the British fleet enterng the harbour. Serres was a well-born Frenchman from Gascony who ran away to sea in merchant service rather than follow family wish that he enter the Church. He probably arrived in England as a naval prisoner of war, took up painting and settled there. His early paintings show the influence of Brooking and Monamy's interpretations of Dutch art but he rapidly achieved recognition for his more documentary visual accounts of sea actions of the Seven Years War, 1756-63, becoming established as England's leading marine painter. His work was even more in demand in the 1770s and 1780s, recording the naval history of the War of American Independence. In 1768 Serres was a founder member of the Royal Academy and at the end of his life its librarian. A well respected and sociable man, he was appointed Marine Painter to George III in 1780. The painting has been signed by the artist and is dated '1770'.
References Royal Museums, Greenwich
Sotheby's, London, 06 July 2016, lot 43
Source/Photographer National Maritime Museum BHC0408

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current 22:21, 30 October 2011 Thumbnail for version as of 22:21, 30 October 20112,500 × 1,217 (137 KB)Botaurus== {{int:filedesc}} == {{Artwork |artist = {{Creator:Dominic Serres}} |title = ''The Capture of Havana, 1762: The Morro Castle and the Boom Defence Before the Attack'' |description = {{en|A depiction of an episode from the last m
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