English: In 1620, Nicolas-Claude Fabri de Peiresc, French antiquary, discovered a large Roman cameo in the Treasury of the Sainte-Chapelle in Paris, in which he recognized a number of Roman Imperial portraits, now generally thought to represent Germanicus taking leave of his parents, the Emperor Tiberius and his mother, Livia, with other members of the Julio-Claudian family, past and present. In 1621, Peiresc suggested to Rubens to paint this.
Date
between circa 1625 and circa 1626
date QS:P571,+1625-00-00T00:00:00Z/8,P1319,+1625-00-00T00:00:00Z/9,P1326,+1626-00-00T00:00:00Z/9,P1480,Q5727902
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{{Information |Description ={{fr|1=Gemma Tiberiana, « L'Apothéose de Germanicus », huile sur toile de
Pierre Paul Rubens (1625-1626), appartenant à l'
Ashmolean Museum d’Oxford, photographié...
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Gemma Tiberiana,« L'Apothéose de Germanicus », huile sur toile (Hauteur. 33,4 cm ; largeur. 28.4 cm) de Pierre Paul Rubens (1625-1626), appartenant au Ashmolean Museum d’Oxford - Ref. Nº WA1989.74 , photographiée lors de l’exposition temporaire « Rubens et son Temps » au musée du Louvre-Lens.
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Gemma Tiberiana,« L'Apothéose de Germanicus », huile sur toile (Hauteur. 33,4 cm ; largeur. 28.4 cm) de Pierre Paul Rubens (1625-1626), appartenant au Ashmolean Museum d’Oxford - Ref. Nº WA1989.74 , photographiée lors de l’exposition temporaire « Rubens et son Temps » au musée du Louvre-Lens.