311b – "Empire of Death"
Doctor Who episode
Promotional title-card
Cast
Doctor Ncuti Gatwa – Fifteenth Doctor
Companion Millie Gibson – Ruby Sunday
Guest Gabriel Woolf – Voice of Sutekh Susan Twist – Susan Triad Bonnie Langford – Melanie Bush Jemma Redgrave – Kate Lethbridge-Stewart Yasmin Finney – Rose Noble Genesis Lynea – Harriet Arbinger Lenny Rush – Morris Gibbons Aidan Cook – The Vlinx Nicholas Briggs – Voice of the Vlinx Alexander Devrient – Colonel Christofer Ibrahim Jasmine Bayes – Corporal Alice Sullivan Anita Dobson – Mrs Flood Michelle Greenidge – Carla Sunday Angela Wynter – Cherry Sunday Sian Clifford – Kind Woman Amol Rajan – Himself Aneurin Barnard – Roger ap Gwilliam Tachia Newall – Colonel Winston Chidozie Fela Lufadeju – Bailey Sinclair Faye McKeever – Louise Miller
Production
Directed by	Jamie Donoughue
Written by	Russell T Davies
Script editor	Scott Handcock
Produced by	Vicki Delow
Executive producer(s)	Russell T Davies Julie Gardner Jane Tranter Joel Collins Phil Collinson
Music by	Murray Gold
Series	Series 14
Running time	2nd of 2-part story, 54 minutes
First broadcast	22 June 2024 (2024-06-22)
Chronology
← Preceded by " The Legend of Ruby Sunday" Followed by → " Joy to the World"
List of episodes (2005–present)

"Empire of Death" is the eighth and final episode of the fourteenth series of the British science fiction television series Doctor Who. The episode was simultaneously released on BBC iPlayer in the United Kingdom on 22 June 2024 and released on Disney+ in the United States on 21 June. It was broadcast on BBC One later on the same day. The episode was written by Russell T Davies and directed by Jamie Donoughue. It is the second part of a two-part story, following " The Legend of Ruby Sunday". The combined story was also given a limited theatrical release.

In this episode the Fifteenth Doctor ( Ncuti Gatwa) and his companion Ruby Sunday ( Millie Gibson) attempt to stop the god-like being Sutekh ( Gabriel Woolf) from destroying all life in the universe. Filming for the story took place in June and July 2023.

Plot

Mel Bush helps the Doctor flee from Susan Triad. Susan and Harriet Arbinger kill everyone, including all UNIT staff, by releasing Sutekh's dust of death. Ruby's adoptive mother Carla, her grandmother Cherry, and Mrs Flood are also killed.

The Doctor and Mel reunite with Ruby in the Time Window as Sutekh arrives on top of the Doctor's TARDIS. Sutekh reveals that when the Doctor defeated him previously, he latched onto the TARDIS and grew more powerful. He explains that the dust is spreading through every place the TARDIS has ever landed through copies of Susan. The Doctor realises he and Ruby can use memories to create a 'remembered' TARDIS, which the pair and Mel use to flee.

The Doctor uses special 'intelligent rope' to stabilise the remembered TARDIS. He visits a woman who gifts him a spoon which he uses to repair a monitor from the Time Window. The monitor responds to Ruby's memories and shows her a 2046 interview with Roger ap Gwilliam, the 'most dangerous prime minister in history'. The Doctor realises that because Gwilliam made DNA Tests compulsory they can find Ruby's birth mother. Sutekh is only keeping the pair alive because he is also interested in the identity of Ruby's mother.

The Doctor, Ruby, and Mel visit 2046 and search DNA records for Ruby's mother. While they do this, Mel is turned into a minion of Sutekh and transports everyone back to UNIT HQ. Sutekh attacks the Doctor and to make him stop Ruby says she will show Sutekh the name of her mother. Ruby instead destroys the monitor containing the identity and attaches the intelligent rope to his collar. The Doctor uses a whistle to activate a rocket booster in the TARDIS console, bringing it towards him and vaporising Harriet Arbinger in the process. He attaches the other end of the rope to its console, dragging Sutekh through the time vortex, forcing him to undo all the deaths he caused, including those of the UNIT staff, Ruby's mother and grandmother, and Mrs. Flood. Despite his avowed pacifism, the Doctor proclaims himself a "monster", and kills Sutekh by releasing him into the time vortex, where he is disintegrated.

In the aftermath, UNIT is able to identify Ruby's birth mother, who is revealed to have been a then-15-year-old girl who left Ruby because of her extreme youth and family circumstances. The Doctor explains Ruby's birth mother was a normal woman and that she was only assumed to be important because they believed her to be. The mysterious happenings around Ruby appear to have been the result of Sutekh assuming Ruby's mother held the key to defeating him, unwittingly willing Ruby to be more powerful than she really was.

The Doctor takes Ruby to see her mother and they reunite. Ruby decides to visit her birth father, and the Doctor leaves by himself. Mrs Flood explains to the audience that, while Ruby got a happy ending, the Doctor's story will end in "absolute terror".

Production

Development

The episode was written by Doctor Who showrunner Russell T Davies. ^[1] It is the second part of a two-part story, the first part being " The Legend of Ruby Sunday". ^[2] Davies says that he came up with the premise of the story forty to fifty years earlier. ^[3] It is the final episode of the fourteenth series. ^[4] The episode concludes the mystery of the identity of Ruby's mother first set up in the Christmas special " The Church on Ruby Road" (2023). ^[5]

When designing Sutekh, the design team wanted to recreate the original "aesthetic" of Sutekh, while also making him not resemble any particular culture or time period, instead portraying Sutekh as an "ancient" and "malevolent" force. Davies stated that Sutekh was no longer an Osiran, as in Pyramids of Mars (1975), but had evolved into a God through prolonged exposure to the time vortex after clinging to the TARDIS. The team looked at sketches for Sutekh's design provided by Davies, and then worked to iron out the final design. Once the design was finalised, the team used various tools to visualise Sutekh's appearance in 3D space, including virtual reality headsets. The team would also use key art to visualise how Sutekh would appear when confronting the characters. ^[6] In the episode, Davies uses a metareference to describe the Egyptian motifs of Pyramids of Mars as cultural appropriation; the narrative of the earlier story states that Ancient Egyptian culture was derived from the Osirans. ^{[7] [8]}

Davies based the reveal of the identity of Ruby's mother actually being a regular person on the Star Wars sequel trilogy, where protagonist Rey's parents were initially revealed as "nothing special" before this was reversed in the following film. As Davies preferred the idea of Rey being "ordinary", he wrote the twist regarding Ruby's mother as his "response" to the films. ^{[9] [10]}

Filming

"Empire of Death" was directed by Jamie Donoughue. ^[11] He compared the two-part finale to a feature film. ^[12] It was produced in the series's fifth production block, along with the preceding episode. ^[13] Codenames were used while filming in public to keep the episodes' antagonists a secret. ^[14] Some filming for the story occurred at One Central Square in Cardiff in June 2023. ^[13] Additional filming took place near Cardiff's Principality Stadium. To make the set appear as London it included a red double-decker bus, telephone booth, and London-dressed taxi cab. ^[15] Other filming locations included Cardiff City Hall ^[16] and Barry in July. ^[17]

The remembered TARDIS first appeared in Tales of the TARDIS. ^[18] The set was constructed to reference past iterations of the TARDIS interior, with props from former companions and past incarnations of the Doctor being used in order to decorate the space. A replica of the TARDIS console from episodes featuring Tom Baker as the Doctor was constructed and inserted into the ceiling of the set. The set was small, and thus those filming the episode had to hold the cameras rather than use tripods or dollies. Donoughue aimed to convey the sense of claustrophobia on the set via the usage of the camera. ^[6]

Bonnie Langford, who portrayed Mel, used prosthetics resembling a skull in order to portray Mel's transformation into a minion of Sutekh. In the scene in which the Doctor uses his whistle to summon the TARDIS, the possessed Mel and Triad are sent flying by it, which Davies described in the script as like " skittles." The production team had limited attempts to get the shot right. Stunt doubles were used in order to shoot the scene, and they were hoisted on ropes in order to convey the visual of being knocked into the air. ^[6]

Casting

The episode stars Ncuti Gatwa and Millie Gibson as the Fifteenth Doctor and Ruby Sunday. ^[5] Also appearing in the episode were Jemma Redgrave, Bonnie Langford, Yasmin Finney, Susan Twist, Michelle Greenidge, Anita Dobson, and Angela Wynter. Other guest stars included Nicholas Briggs, Gabriel Woolf, Genesis Lynea, and Lenny Rush. ^[19] Davies teased an additional role in the episode which he described as "vital". ^[20] This was later revealed to be Sian Clifford who appeared as a "kind woman". ^[21] Aneurin Barnard guest starred as Roger ap Gwilliam, a role first introduced in " 73 Yards". ^[22]

Broadcast and reception

Professional ratings

Review scores
Source	Rating
Evening Standard	[23]
i	[24]
IGN	8/10 [25]
The Independent	[26]
The Telegraph	[27]
Total Film	[28]

Broadcast

"Empire of Death" was released on BBC iPlayer in the United Kingdom on 22 June 2024 and followed by a broadcast on BBC One later in the day. ^[29] Disney also handled international distribution of the episode outside of the United Kingdom and Ireland, ^[30] with it being released simultaneously on Disney+ in the United States on 21 June. ^[31]

Two days before the episode was broadcast, the first appearance of Sutekh was re-broadcast on BBC Four. A Tales of the TARDIS episode showed an edited version of the Fourth Doctor serial Pyramids of Mars (1975) with updated special effects, bookended by new scenes with the Fifteenth Doctor and Ruby. ^{[32] [33] [34]}

The episode was screened in select theatres across the UK alongside the previous episode " The Legend of Ruby Sunday". ^{[35] [36]}

Ratings

Overnight viewing figures estimate that the episode was watched by 2.25 million people on its BBC One broadcast, up 200 thousand from the previous episode. ^[37] Louise Griffin from Radio Times attributed the low ratings to the episodes launch on BBC iPlayer nearly 20 hours previously. Griffin stated that it was likely that the episode was viewed by significantly more people. ^[38]

Critical reception

Will Salmon of Total Film praised the performances of Gatwa and Gibson, the execution of the plot and fan service, and the resolution to the storyline regarding Ruby's mother. ^[28] Similarly, Stefan Mohamed of Den of Geek gave the episode a positive review, highlighting in particular the scene between Gatwa and Clifford, but felt the ending was weak due to the lack of emotional buildup throughout the season. ^[39] Robert Anderson of IGN singled out the performances in the episode, mentioning Woolf and Gatwa. He went on to praise Ruby's departure scene and the appearance of Ruby's mother. ^[25] Martin Belam of The Guardian praised the performance of Langford, calling it "genuinely chilling", and noted the scene in which Ruby reunites with her mother as giving the episode its emotional core. However, he criticised the episode for a lack of stakes, noting that "once whole swathes of the recurring supporting cast had met their sandy end by Sutekh's minions it seemed obvious that there would have to be a great big reset". ^[40]

References

External links

Wikiquote has quotations related to Fifteenth Doctor.

• "Empire of Death" at BBC Online
• "Empire of Death" at the Doctor Who Stories Website
• "Empire of Death" on Tardis Wiki, the Doctor Who Wiki
• "Empire of Death" at IMDb