Despicable Me 2: Original Motion Picture Soundtrack is the
soundtrack album for the 2013 film Despicable Me 2; the sequel to Despicable Me (2010). The album was released on July 2, 2013, through
Back Lot Music.[2][3] The original music was composed by
Heitor Pereira and
Pharrell Williams, whom previously scored for Despicable Me.[4] The soundtrack to the film featured 24 tracks – eight songs and the remainder of the album, consists of original score tracks. Out of the eight songs, three original tracks, written by Williams, were featured in the album as well as the tracks "Another Irish Drinking Song", "
I Swear" and "
Y.M.C.A." were incorporated into the album. Besides that, two tracks from Despicable Me: "Fun, Fun, Fun" and
the titular track is also featured in the soundtrack.[4]
The track "
Happy" served as the only single from the album released on November 21, 2013, by Back Lot Music, and was also part of Williams' second studio album Girl (2014).[5] A visual presentation of the track, being advertised as "the world's first 24-hour music video" coincided the single, featuring Williams and directed by We Are from LA, and went viral upon release. Besides, topping the charts in over 19 countries, it was the best-selling song of 2014 in the United States and United Kingdom.[6][7] The song also received an
Academy Award-nomination for
Best Original Song at the
86th Academy Awards, but lost the award to "
Let It Go" from Frozen.[8] Eight years after the single release, the track "
Just a Cloud Away" was released in March 2022.[9]
Background
The co-director of Despicable Me 2,
Chris Renaud had recalled the "distinctive music of the first film" that born out of the collaboration between Pereira and Williams, leading them to work for its sequel.[10] Pereira attributed that for El Macho, being a Mexican wrestler and the main antagonist, had to implement "full choir with a latin flair to emphasize his presence".[10] Pereira also created new themes for the characters, including for the minions, whose themes needed to be "more threatening and menacing".[11] Williams and Pereira discussed about several main themes for the album, and went ahead with the overarching theme, which was not about the characters but much about the air of the film. He added that the "continuity was honestly based on lifting people up emotionally".[12][13]
Williams wrote three original songs, including the popular track "
Happy" that was released as a single on November 21, 2013, to wider commercial success.[14][15] In a 2014 interview to The New York Times, Williams recalled that the song was rejected nine times, by the producer
Chris Meledandri, before finally being approved.[14][16] While writing the track, did not write the melodic portions, but only just the chorus part of the film. He finished writing the song within 20 minutes.[17][18] The song was initially intended to be written for
CeeLo Green (who earlier sang another track "Scream"),[19] but due to conflicts with CeeLo's record company
Elektra Records, as he was on the verge of releasing his 2013 Christmas album,[20][21] Williams himself sang the track, instead.[22][23]
Speaking on the integration of the film songs into the score, Pereira said "Unless there is a reason in the story, you don't want it to be a surprise, so you have to tease the ears with what is going to come in the song before it begins".[11]
Promotions and marketing
As a part of promotions, Williams came up with a website 24hoursofhappy.com,[24] launched to coincide with the single release,[25] featuring a visual presentation of "Happy" advertised as being "the world's first 24-hour music video", directed by the French directing team We Are from LA.[26] The video went viral upon its premiere, and attributed to the massive success of the song.[17] The four-minute video edit of the song released on
YouTube on November 21, and as of March 2018, it crossed over 1 billion views.[27] Eight years after the film's release, Williams released the lyrical song "
Just a Cloud Away" on March 25, 2022, to wider commercial response.[28]
"
Happy" topped the musical charts in over 19 countries. It topped the US
Billboard Hot 100 for the week ending March 8, 2014, and the following week,[29] and also topped the
Hot 100 Airplay chart.[30] It holds the record for the second-highest audience peak for a week on the Hot 100 Airplay, with 225.9 million impressions, only behind
Robin Thicke's "
Blurred Lines".[31] It also topped the
New Zealand Singles Chart holding the first position for 12 consecutive weeks, since January 2014,[32] and broke the 36-year-long record for most weeks spent at #1, which was previously held by
Boney M.'s 1970 single "
Rivers of Babylon". It also became the best-selling single of UK and US in 2014, with 1.5 and 6.45 million copies sold for the year, respectively.[6][7]
At the
86th Academy Awards held on March 2, 2014, Williams' song "Happy" was nominated for
Best Original Song, but lost to "
Let It Go" from Frozen.[39] When
GQ magazine asked Williams "how badly" he wanted the Oscar, he responded: "When they read the results, my face was...frozen. But then I thought about it, and I just decided just to... let it go."[40]
Original score composed and produced by: Heitor Pereira, Pharrell Williams
Additional arrangements: Anthony Willis, Bobby Tahouri
Additional composition: Azeo Torre, Cameron Hotchkis, Sebastian Zuleta, Ted Reedy
Recorded by: Alan Meyerson, Kevin Globerman
Edited by: Slamm Andrews
Mixed by: Alan Meyerson
Mixing assistance: Christian Wenger
Mastered by: Reuben Cohen
Music supervisor: Rachel Levy
Music contractor: Peter Rotter
Scoring crew: Denis St. Amand, Tim Lauber, Tom Steel
Choir
Contractor: Jasper Randall
Bass vocals: Alvin Chea, Bob Joyce, Eric Bradley, Greg Davies, Gregg Geiger, Jim Campbell, Jules Green, Mark Edward Smith, Michael Geiger, Stephen Grimm, Steve Pence, Will Goldman
Tenor vocals: Aj Teshin, Chris Mann, Dick Wells, Fletcher Sheridan, Gerald White, Jasper Randall, Jeff Gunn, Joseph Golightly, John Kimberling, Sean Mcdermott, Steve Amerson, Steven Harms
Children's choir: Alaman Diadhou, Aria Gunn, Catherine Matthews, Christian Mancuso, Cole Konis, Emily Titman, Emma Gunn, Hannah Messinger, Joe Matthews, Joss Saltzman, Karissa Lee, Levi Gunn, Marlowe Peyton, Mason Purece, Max Kilpatrick, Merit Leighton
Newman Scoring Stage sessions
Concertmaster: Norman Hughes
Contractor: Suzie Katayama
Conductor: Nick Glennie-Smith
Orchestra leader: Bruce Fowler
Orchestrator: Ladd McIntosh
Instruments
Bass: Nico Abondolo, Adam Blackstone, David Parmeter, Drew Dembowski, Edward Meares, John Leftwich, Steve Dress, Timothy Lefebvre
Bassoon: Rose Corrigan, Ken Munday
Cello: Steve Erdody, Andrew Shulman, Armen Ksajikian, Cecilia Tsan, Christina Soule, Dennis Karmazyn, Erika Duke-Kirkpatrick, George Kim Scholes, John Walz, Paula Hochhalter, Tim Landauer, Trevor Handy
Clarinet: Stuart Clark, Dan Higgins, Greg Huckins, Jeff Driskill
Flute: Geraldine Rotella, Daniel Higgins, Jeff Driskill, Stephan Kujala
Guitar: Clay Sears, John McCurry
Horn: James Thatcher, Allen Fogle, Brian O'connor, Daniel Kelley, Dylan Hart, Jennie Kim, Laura Brenes, Mark Adams, Steve Becknell, Yvonne Suzette Moriarty
Keyboards: Darek Cline Cobbs, Sarah Schmidt
Oboe: Phil Ayling, Chris Bleth
Percussion: Aaron Draper, Marvin B. Gordy III, Michael Klein, Steve McKie, Zachary Danziger
Trombone: Alexander Iles, Alan Kaplan, William Reichenbach, Charlie Morillas, Phillip Teele, Phillip Keen, Steven Holtman
Trumpet: Jon Lewis, Aaron Smith, Bijon Watson, Daniel Fornero, Daniel Rosenboom, David Washburn, Gary Grant, Jose Hernandez, Rick Baptist, Wayne Bergeron
Tuba: Doug Tornquist, Gary Hickman
Viola: Brian Dembow, Andrew Duckles, Darrin Mc Cann, David Walther, Matthew Funes, Robert Brophy, Roland Kato, Shawn Mann, Victoria Miskolczy
Violin: Bruce Dukov, Julie Gigante, Alyssa Park, Ana Landauer, Charlie Bisharat, Darius Campo, Eun-Mee Ahn, Helen Nightengale, Irina Voloshina, Jay Rosen, Jessica Guideri, Josefina Vergara, Katia Popov, Kevin Connolly, Lisa Liu, Maya Magub, Natalie Leggett, Phillip Levy, Roger Wilkie, Sara Parkins, Sarah Thornblade, Serena Mc Kinney, Tamara Hatwan, Tereza Stanislav
Featured instrumentalists
Percussion: MB Gordy
Bass: John Leftwich
Trumpet: Bijon Watson, Dan Fernero, Rick Baptist, Wayne Bergeron
Management
Executive producer: Chris Meledandri
Executive in charge of music: Michael Knobloch
Music business affairs: Philip M. Cohen
Music preparation: Booker White
Product manager: Jake Voulgarides
Design: Jennifer Wroblewski, Ken Matsubara, Peter Lung