Taiwanese commercial director and filmmaker
Chen Yu-hsun (born June 21, 1962) is a Taiwanese commercial director and filmmaker born in
Taipei,
Taiwan.
[1] He is the first director to win the three major film awards in Taiwan, including the
Golden Horse Film Festival and Awards, the
Taipei Film Awards, and the Taiwan Film Critics Society Awards, for the same film,
My Missing Valentine (2020). He is widely known for his "offbeat, distinctly Taiwanese sense of humor that permeates his works".
[2]
Biography
After spending his fourth year at the so-called "Junior Fourth Class" (a cram school for students retaking high school after their junior year), Chen Yu-Hsun successfully entered the
Cheng Kung High School after a grade retention. After failing the university entrance exam, he had no choice but to enlist in the military. Retaking the university entrance exam for the second time at the age of 22, he finally passed and enrolled in the Department of Educational Media and Library Sciences, now renamed as the Department of Information and Library Science, at the
Tamkang University. Chen graduated from the Tamkang University in 1989.
[3]
Chen always has a passion for painting and
heavy metal music. It was not until his senior year that he got hold of the opportunity to work as a studio assistant in the Department of Mass Communication at the university, which led him to an internship with director
Wang Shaudi. Chen Yu-Hsun found his true passion at the internship. That is, telling stories through visual images. Chen started his first job as a
script supervisor for director
Tsai Ming-Liang's comedy drama, Happy Motor Shop (1989).
[3]
Chen shot his first feature film, Tropical Fish, in 1994, after years of working with television series. The film was commercially successful and critically acclaimed, making Tropical Fish one of the most remarkable comedies in the history of Taiwan cinema.
[4]
Due to his dissatisfaction with the filmmaking environment and his box office failures in Taiwan, Chen had once left the film industry for 13 years. During that time, he worked on many humorous commercial advertisement projects that became well known among television audiences.
[1]
[5]
In 2020, his film,
My Missing Valentine, won a total of five awards at the 57th
Golden Horse Film Festival and Awards, including
Best Narrative Feature,
Best Director,
Best Original Screenplay,
Best Visual Effects, and
Best Film Editing.
[6]
[7]
Television series
- 1989: Happy Motor Shop (快樂車行)
- 1989: Jia Jia Fu (佳家福)
- 1991: A Space for the Little People—Are We Angels? (小市民的天空—我們算不算是天使)
- 1992: Hen and Duckling (母雞帶小鴨)
- 1994: Ngasal Maku—My Home (納桑嘛谷-我的家)
[1]
- 2016: Close Your Eyes Before It's Dark (植劇場-天黑請閉眼)
Filmography
- 1994:
Tropical Fish, starring Wen Ying and Apipo
[1]
- 1995: Winner of the Blue Leopard Prize and International Film Critics Award at the
Locarno International Film Festival in Switzerland; the Best Original Screenplay Award at the
Golden Horse Film Festival and Awards; and the 21st Century Top 100 Youth Awards from the China Times.
- 1996: Winner of the Golden Panda Award for Best Film at the Montbéliard Film Festival in France.
- 1997: Love Gogo, starring Chen Ching-Hsin, Nana Tang, Jane Liao,
Mickey Huang, and Eli Shih
- 2010: "Another Juliet" from Juliets, starring Vincent Liang and Kang Kang
- 2011: "Hippocamp Hair Salon" from 10+10 Ten Plus Ten, starring Lee Lieh, Ko I-chen, and
Lawrence Ko
- 2013:
Zone Pro Site, starring
Tony Yang,
Lin Mei-Hsiu, and
Kimi Hsia
[1]
- 2017:
The Village of No Return, starring
Shu Qi,
Joseph Chang, and
Eric Tsang
- 2020:
My Missing Valentine, starring Liu Kuan-ting and Patty Lee
Screenwriting
- 2015: Co-wrote, with Director LEE Chung, the screenplay for The Laundryman
Performance for Film
Select commercial
Music Video
Publication
- Flying Off the Rails: An Amusing Comic Memoir of Filming in Mainland China《飛天脫線記:大陸拍片漫畫記趣》, published by the Chinese Television System Culture Enterprise Corporation in 1996 (
ISBN 957-572-089-X)
Social participation and public speech
- In June 2012, Chen Yu-Hsun, along with Ko I-Chen, Wu Yii-feng,
Leon Dai,
Luo Yijun, and Ya Ai, and 60 other artists and cultural workers, initiated a 30-second
flash mob
anti-nuclear protest. Gathered in a ren (人/human)-shaped formation on
Ketagalan Boulevard in front of the
Presidential Office Building in Taipei, Taiwan, they chanted the slogan, "I am a human, I am against nuclear power."
[8]
- In 2013, Chen Yu-Hsun criticized President
Ma Ying-jeou on
Facebook regarding the
Cross-Strait Service Trade Agreement. He questioned why the president did not inform the people and the legislature when signing the agreement, but instead choose to announce to world other irrelevant personal details.
[9]
- During the 2014
Sunflower Movement, Chen Yu-Hsun personally visited the
Legislative Yuan to show support for the protesting students, teasing that, "I heard that
suncakes were delivered here, so I come to have some." He also posted on Facebook, "Our grandfathers' revolution allows our fathers to have the right to
vote, but if the fathers vote recklessly, the sons have to start a revolution." He also stated in his Facebook post that, "I don't know about the other people, but what I want is to defend
democracy. Politicians must respect their people. No matter how important the Service Trade Agreement could be, it will never be as important as our democracy."
[10]
- On April 10, 2014, when the Sunflower Movement withdrew from the Legislative Yuan, Chen Yu-Hsun again posted a photo on Facebook with the caption, "The world may not become better, but you will." He thanked the students, saying, "When you can see things clearly, you can appreciate them better. When you can appreciate the world better, you can then gain at lot from it. Colorful, vibrant, warm, humorous, and infinitely creative. Thanks to this student-led
civic movement, which has sparked new thinking in Taiwan. We will become better."
[11]
- On January 5, 2017, Chen Yu-Hsun released a statement emphasizing that he had never supported
Taiwan independence movement. He stated, "I have never had the belief in Taiwan's independence, nor do I support it or consider myself a pro-independence person." He emphasized that standing against the Service Trade Agreement does not equal being pro-independence. He also expressed the hope for open-mindedness, setting aside biases, and enhancing mutual trust between both sides of the
Taiwan Strait. He also expressed the desire for smoother exchanges in the film and television industries between Taiwan and China.
[12]
[13]
References
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