Carl Howard Freedman (born 1951) is an American writer,
literary theorist and professor of English literature at
Louisiana State University. He is best known for the non-fiction book Critical Theory and Science Fiction, and his scholarly work on the writer
Philip K. Dick. Freedman's other works include a series of books on
Isaac Asimov,
Ursula K. Le Guin and
Samuel R. Delany, and several essays and a book on
China Miéville. In 2018, he won the
Pilgrim Award for lifetime contribution to science fiction and fantasy scholarship.
Freedman's most highly cited work is his 2000 book, Critical Theory and Science Fiction,[1] where he examines the analytical potential of SF. He places science fiction above all other genres in terms of "historical concreteness and rigorous self-reflectiveness",[5] and thus as the most sound genre for academic study.[6] The book focuses on novels from five authors:[7]
It presents the case that the above works constitute the "aesthetic and political core" of SF (per Gerlach and Hamilton).[8] Freedman employs the notion of science fiction as "
cognitive estrangement", an idea popularized by academic
Darko Suvin.[9][10] This has been described as a
Marxist and utopian approach to SF: by placing readers in a world different from their own, it challenges them to imagine alternatives to the status quo.[11][1]
Freedman is also known for his essays on the writer Philip K. Dick,[1] where he studies the prevalence of paranoia in Dick's works.[12] His Literary Conversations series of books (2005–09) contain extended interviews with Isaac Asimov, Ursula K. Le Guin, and Samuel R. Delany.[1] Freedman has also authored essays on Marxism and
China Miéville. His 2015 book, Art and Idea in the Novels of China Miéville, studies six of his novels: King Rat; the three Bas-Lag books, Perdido Street Station, The Scar and Iron Council; The City and the City; and Embassytown. It has been described as "essential reading" for discussion of Miéville's work.[13][14]
Other writers that have been the subject of Freedman's work include
Robert A. Heinlein and
Kim Stanley Robinson, with focus on their authorship of utopian SF. Freedman has also written books on U.S. electoral politics, and on film.[1]
Recognition
Freedman received the 1999
Pioneer Award for Excellence in Scholarship for his essay "Kubrick's 2001 and the Possibility of a Science-Fiction Cinema". In 2018, he was awarded the
Pilgrim Award for Lifetime Achievement by the
Science Fiction Research Association.[15]
Bibliography
As author
George Orwell: A Study in Ideology and Literary Form, 1988
Critical Theory and Science Fiction, 2000
The Incomplete Projects: Marxism, Modernity, and the Politics of Culture, 2002
The Age of Nixon: A Study in Cultural Power, 2012
Versions of Hollywood Crime Cinema: Studies in Ford, Wilder, Coppola, Scorsese, and Others, 2013
Art and Idea in the Novels of China Miéville, 2015
^"In Focus: Distinguished Scholars". LSU Alumni Magazine. Vol. 90, no. 1. LSU Alumni Association. March 5, 2014. p. 36.
Archived from the original on October 4, 2021. Retrieved October 4, 2021.
^
Freedman, Carl (2000).
"Preface". Critical Theory and Science Fiction. Wesleyan University Press. p. xvi.
ISBN978-0-8195-6399-6.
^Gerlach, Neil; Hamilton, Sheryl N. (2003). "Introduction: A History of Social Science Fiction". Science Fiction Studies. 30 (2): 161–173.
JSTOR4241163.
^Erlich, Richard D. (2001). "Review: Critical Theory and Science Fiction". Utopian Studies. 12 (1): 180–182.
JSTOR20718262.