 | This article needs additional citations for
verification. (May 2011) |
 Percussionist (Mamadou Sarr) playing the Calabash with the bare hand technique | |
| Percussion instrument | |
|---|---|
| Classification | percussion |
| Hornbostel–Sachs classification | 111.3 |
In African music, the calabash is a percussion instrument of the family of idiophones consisting of a half of a large calabash gourd, which is struck with the palms, fingers, wrist or objects to produce a variety of percussive sounds. [1]
In Tuareg music, the askalabo [2] is a calabash "partly submerged in water, drummed to mimic camels' hooves". [3]
The calabash can also be used as a sound board: a finger piano (a flat board with a bridge on which prongs are fastened, that are then played with the fingers) can use a calabash for that purpose, [1] and the gongoma is a similar instrument, using saw blades on a bridge affixed over the calabash—the blades are plucked with the fingers, while the player taps the calabash with their other hand. [4]
A calabash can also be used as a resonator, in the case of the umakhweyane, a middle-braced calabash bow. [5]
References
- ^ a b Nzewi, Odyke; Nzewi, Meki (2007). A Contemporary Study of Musical Arts: Theory and practice of modern African classical drum music. A Contemporary Study of Musical Arts: Informed by African Indigenous Knowledge Systems. Vol. 5. African Minds. pp. 1, 4. ISBN 9781920051686.
- ^ Peek, Philip M.; Yankah, Kwesi, eds. (2004). African Folklore: An Encyclopedia. Routledge. ISBN 9781135948726.
- ^ Davies, Sam (1 August 2019). "'My father said I should be looking after the cows': the first female Tuareg guitarist". The Guardian. Retrieved 6 August 2019.
- ^ Kalani; Camara, Ryan M. World Rhythms! Arts Program presents West African Drum & Dance: A Yankadi-Macrou Celebration. Alfred Music. p. 38. ISBN 9781457422331.
- ^ Dargie, Dave (2007). "Umakhweyane': A Musical Bow and Its Contribution to Zulu Music". African Music. 8 (1): 60–81 – via JSTOR.
External links
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