"Brother Louie" is a song by British
soul band
Hot Chocolate. Written by members
Errol Brown and
Tony Wilson and produced by
Mickie Most, the song discusses an interracial love affair between a white man and a black woman, and the subsequent rejection of both by their parents because of it. Upon its release as a single, "Brother Louie" peaked at No. 7 on the
UK Singles Chart in 1973.[1]Alexis Korner has a spoken word part in this version of the song.[2]
Phil Dennys arranged the string section.
"Brother Louie" was
covered by the
American band
Stories (featuring singer
Ian Lloyd) about six months after Hot Chocolate's
UK hit. The Stories version reached No. 1 on the
Billboard Hot 100 in the
US and sold a million-plus copies to earn a
gold disk.[6]
Another cover was released in 1973 by
Roy Ayers on his album Virgo Red, playing vibes instead of singing. It has since been covered by many other artists, notably
Vandenberg singer Bert Heerink who had a top 10 hit in 1995 in the
Netherlands with a
Dutch version titled "Julie July".
In popular culture
The recording by Stories was featured in the
filmA Guide to Recognizing Your Saints (2006). The same version also appeared in an episode of the series Nip/Tuck. An alternative rendition of the Stories version of the song was included in the
soundtrack of the 2007 film Zodiac. It was also on the soundtrack to the 1999 film Dick and in the 2005 French-Canadian film C.R.A.Z.Y, but the song's first movie appearance was in Wim Wenders' 1974 film Alice in the Cities (7:15 into the movie).
The song, with slightly different wording, is used as the
theme song to the television series Louie, a
sitcom loosely based on the life of American comedian
Louis C.K. The word "cry" was changed to "die" in the second repetition of the chorus. This version was produced by
Reggie Watts, with the intro emulating the Hot Chocolate version, and with Stories singer Ian Lloyd reprising his vocals.
^
abBreihan, Tom (April 16, 2019).
"The Number Ones: Stories' "Brother Louie"". Stereogum. Retrieved June 18, 2023. In Stories' hands, it's a tense funk vamp, a satisfying rhythmic squelcher. Between those strings and Lloyd's histrionic delivery...it's basically a disco song.