1600 Pennsylvania Avenue, NW, Washington, DC 20500
Built
c. 1800
Restored
Coolidge-appointed committee of
Colonial revival and
Federal furniture experts in 1926. Subsequent work by
Maison Jansen in 1961 and White House curator
Clement Conger in 1971 further refined that restoration.
The Blue Room is one of three state parlors on the first floor in the
White House, the residence of the
president of the United States. It is distinctive for its
oval shape. The room is used for receptions and receiving lines and is occasionally set for small dinners. President
Grover ClevelandmarriedFrances Folsom in the room on June 2, 1886, the only wedding of a President and First Lady in the White House.[1] The room is traditionally decorated in shades of blue. With the
Yellow Oval Room above it and the
Diplomatic Reception Room below it, the Blue Room is one of three oval rooms in
James Hoban's original design for the White House.
Description of the room
The room is approximately 30 by 40 feet (9.1 by 12.2 m). It has six doors, which open into the
Cross Hall,
Green Room,
Red Room, and South Portico. The three windows look out upon the Portico and
South Lawn.
The Blue Room is furnished in the
French Empire style. A series of redecorations through the 19th century caused most of the original pieces to be sold or lost. Today much of the furniture is original to the room. Eight pieces of
gilded European
beech furniture purchased during the administration of
James Monroe furnish the room, including a bergère (an
armchair with enclosed sides) and several
fauteuils (an open wood-frame armchair). The suite of furniture was produced in Paris around 1812 by the cabinetmaker
Pierre-Antoine Bellangé, and reproduction side chairs and armchairs were made by
Maison Jansen in 1961 during the Kennedy restoration. A marble-top center
table has been in the White House since Monroe purchased it in 1817. A c. 1817
ormoluFrench Empire mantel clock with a figure of
Hannibal, by
Denière et Matelin, sits on the mantel.
The early 19th-century French
chandelier is made of gilded wood and cut glass, encircled with
acanthus leaves. Acquired during the Kennedy Administration, it previously hung in the
President's Dining Room on the second floor.
George Peter Alexander Healy's 1859 portrait of
John Tyler hangs on the west wall above the Monroe sofa. The
sapphire-blue
silk fabric used for the draperies and furniture upholstery was chosen by
Hillary Clinton. The silk
lampas upholstery fabric retains the gold
eaglemedallion on the chair backs, which was adapted from the depiction of one of the Monroe-era chairs in a portrait of James Monroe. The painting, however, depicts the chair upholstered in crimson, not blue, showing the original color used for the room.
The walls are hung with a
chamois-colored
wallpaper imprinted with medallions of burnished gold. It is adapted from an early 19th-century American Empire wallpaper having French influences. The upper border is a faux printed blue fabric drapery
swag. The faux fabric border is similar in effect to an actual fabric border installed during the administration of John F. Kennedy. The printed dado border along the
chair rail is blue and gold with
rosettes. Installation of a new oval
carpet, based on early 19th-century designs, completed the renovation project. The design was adapted from an original design for a neoclassical English carpet from about 1815, the period of the furnishings acquired by Monroe for the Blue Room.
History
The oval salon
During the administration of
John Adams, the Blue Room served as the south entrance hall, though it has always functioned as the principal reception room of the White House. During the administration of
James Madison, architect
Benjamin Latrobe designed a suite of
classical-revival furniture for the room, but the furnishings were destroyed in the fire of 1814 (see
War of 1812). When the White House was rebuilt, President James Monroe redecorated the room in the French
Empire style.
Martin Van Buren had the room carpeted and wallpapered in blue in 1837,[2] and it has remained the tradition ever since. However, many administrations have made changes to the decoration.
During the administration of
James Buchanan, the room was refurbished in a Victorian style called
Rococo Revival. Buchanan was a lifelong bachelor. His niece,
Harriet Lane, acted as hostess and de factoFirst Lady. Lane focused primarily on her hosting duties rather than maintaining the White House. Although Congress allotted President Buchanan $20,000 ($654,000 in 2023 dollars) to refurbish the White House when he moved in, Buchanan spent nearly all these funds building a glass
conservatory adjacent to the mansion to replace an
orangery on the east side of the White House (built during the
Jackson administration but torn down to make way for an expansion of the
Treasury Building).[3][4] Rococo Revival furniture, a purchase of Harriet Lane's, financed by the auction of older White House furniture, arrived in December 1859.[2][a] The centerpiece of this suite was a large circular
settee with a central table for flowers.[6]
The Blue Room as refurnished in 1995 during the administration of
Bill Clinton.
1902 Roosevelt renovation
A series of increasingly complex, highly patterned styles followed until 1902, when the room was returned to an Empire style by the firm of
McKim, Mead & White during the administration of
Theodore Roosevelt.[citation needed] The company fabricated a suite of chairs (painted white and gold) based on chairs made for
Napoleon by
François-Honoré-Georges Jacob-Desmalter.[7] Two new doorways were also cut into the walls to provide more access to the room.[8]
1950 Truman reconstruction
The White House was completely gutted and rebuilt from 1950 to 1952 during the
Harry S. Truman administration. When it came time to redecorate the Blue Room, Truman's designers selected for wall coverings a deep blue
silk, which contained a pattern of gold urns draped with flowers.[9] The addition of the
Truman Balcony provided shade to the oval
portico outside the Blue Room.
1961 Kennedy restoration
In 1961, First Lady
Jacqueline Kennedy began a major refurbishment of the White House, including the Blue Room. An advisory Committee on Fine Arts composed of museum professionals and wealthy individuals interested in antiques technically oversaw her renovation.[10] American antiques
autodidactHenry Francis du Pont (an expert in
Federal furniture) led this committee.[11] Mrs. Kennedy also brought in French interior designer
Stéphane Boudin (an advocate of French interior design) and his company,
Maison Jansen, to oversee the refurbishment.[12] Although du Pont and Boudin often competed with one another to control a space's redecoration in the White House, the Blue Room was an area where Boudin had almost exclusive control.[13]
Jacqueline Kennedy determined the style of the Blue Room. While researching the history of the White House in early January 1961, she came across a 1946 French magazine article that mentioned a suite of
French Empire-stylegilt wood furniture made in 1817 by French furniture maker
Pierre-Antoine Bellangé for use in the
Yellow Oval Room. Kennedy asked the White House staff to locate pieces from this suite, and one piece was found: a battered
pier table. Kennedy then asked Maison Jansen if they would restore the table. Jansen agreed to do so and donate the work and materials for free. The pier table received a new white marble top and new giltwork.[14] The pier table was placed opposite the
fireplace, its historic location.[8]
Deciding where to place other furniture and what sort of colors, window treatments, and other design elements should be made, Maison Jansen created a
maquette of the Blue Room. Tiny paintings, pieces of furniture, and window treatments in a wide range of colors and designs were manufactured and placed in the maquette to demonstrate to Jacqueline Kennedy how the room might be put together.[15][b]
The French Empire pier table dictated the style of the room. Boudin initially retained the 1902 suite of chairs for the room. When one of the original 1817
armchairs was found in Pennsylvania, it was donated to the White House and added to the Blue Room.[16][c] Two
side chairs from the suite were located at the
Adams National Historical Park in
Massachusetts.
Charles Francis Adams IV declined to donate these chairs but agreed to pay for seven reproduction armchairs and six reproduction side chairs.[19][d] After extensive research into designs, the American fabrics firm
Scalamandré discovered a historical painting of the original Monroe-era upholstery for the furniture. Scalamandré was unable to produce a fabric of high enough quality to satisfy Mrs. Kennedy, so Boudin selected the French firm of Tassinari et Châtel to manufacture the coverings.[20][e]
The Blue Room had long been decorated with a table in the center and other furniture around the edge. Boudin continued this historic decorative scheme, which required him to find a new centerpiece. Although he could locate a
mahogany round table with a white marble top purchased during the Monroe administration, he disliked its heavy look and asked that it be covered.
Sister Parish, an interior decorator and Kennedy friend who had refurbished the private rooms of the White House, designed a gold-colored
silkdamask cloth with
tassels to cover the table.[19] Mrs. Kennedy was unhappy that the Monroe table was concealed, and Boudin soon swapped it out for a modern table (retaining the Parish covering).[22]
Replacing the Truman-era wall covering, Boudin selected a silk upholstery with cream stripes, plain alternating with
satin. To soften the
cornice line of the room, Boudin chose blue silk
taffeta with black and gold trim in a
Baroque Revival design which he formed into a continuous
valance hung just below the cornice molding.[23][f] For the drapes in the room, Boudin chose straight panels of blue silk taffeta. He then replaced Parish's gold cloth on the table with a blue velvet covering with a long gold fringe. The fabrics for the walls, valance, drapes, and tablecloth were all produced by Scalamandré.[24]
To finish unifying the scheme of the Blue Room, Boudin had the
dado rail and the cornice molding painted gold and white.[25] Painter and craftsman Peter H. Guertler, widely known as an expert on the restoration of historical interior paintwork, repainted these parts of the room for free.[26] Life-size portraits of George Washington, John Adams, James Madison, and John Quincy Adams had long hung in the Blue Room. Boudin retained these works of art, adding three new works (of Thomas Jefferson, James Monroe, and Andrew Jackson) purchased by the White House. Boudin purchased and installed black and gilt French Empire
sconces on the
piers and hung four of the paintings beneath them.[27][g] A French Empire gilt bronze and crystal
chandelier was mounted in the center of the ceiling.[28][h] Additional lighting was provided by a pair of
caryatidtorchères.[28]
An early 19th-century rectangular blue, gold, and pink French Empire carpet manufactured at
Savonnerie in France was chosen for the floor, and a pair of French Empire gilt bronze
andirons for the fireplace.[28]
Redecoration of the Blue Room was funded by oil company executive
Charles Bierer Wrightsman and his wife, Jayne (a close friend of Mrs. Kennedy's).[13]
The Blue Room was chosen as the subject of a 1964 print that the Kennedys intended to present to White House staff for Christmas. Edward Lehman was commissioned to do the painting. (Lehman had also been commissioned to paint the Red Room and the Green Room for 1962 and 1963 perspective gift prints.) In August 1963, Lehman visited the White House to show the Kennedys his painting. The Kennedys approved of the work, and President Kennedy told Lehman then that the Blue Room was his favorite. Because President Kennedy was assassinated in November 1963, the Blue Room print was never distributed. However, about 1,000 prints were made, numbered, and signed, and some of these were obtained by collectors.
Nixon and Clinton refurbishments
When the completed Blue Room was opened to the public in January 1963, there was little criticism of Boudin's efforts. In 1973, First Lady
Pat Nixon again refurbished the room. At that time, several critics were very vocal about Boudin's choices for the room. In 1985,
White House CuratorClement Conger, in declaring Boudin's Blue Room a failure, said Boudin demonstrated no expertise in period American houses.[13] It followed a complete redecoration by First Lady
Pat Nixon in 1971, which retained the Bellange pieces of Monroe but saw the walls covered with wallpaper for the first time since the early 19th century.[29]
As January 20, 2013, fell on a Sunday, President
Barack Obama was sworn in for his second term by
Chief Justice of the United StatesJohn G. Roberts in a brief semi-private ceremony in the Blue Room, accompanied by the First Lady and their two daughters. A larger public ceremony, including Obama's second inaugural address, followed at the
U.S. Capitol the next day.[30]
^Congress authorized the White House to auction off used and broken furniture in 1797. Such auctions were a regular occurrence until 1903.[5]
^The model even had real window panes so that actual sunlight could be used on the model.[9]
^Until the mid-20th century, it was a common and unremarkable practice for the White House to auction off old furniture, place settings, and decorative items.[17] This is how the 1817 suite ended up in private hands. A second original armchair was located at
Constitution Hall, the headquarters of the
Daughters of the American Revolution. The organization refused to give it up, however.[18]
^One of the 9-foot (2.7 m) long 1817 Monroe
sofas were also located in private hands. But with the addition of the 1902 doorways, which had been retained during the 1952 Truman renovation, no space in the Blue Room existed.[8]
^Concerned with the political repercussions of using a French manufacturer for the White House, the fabric's origin was concealed. Tassinari et Châtel first shipped the fabric to the U.S. embassy in Paris, then shipped it to the
State Department in Washington, D.C. The State Department delivered it to the White House. Delays in design, manufacturing, and delivery forced the White House to upholster the Blue Room chairs in blue taffeta temporarily. Scalamandré provided this fabric for free.[21]
^Boudin used the same white-striped wall covering and blue continuous valance in his design of the Music Room at
Munich Residenz, the former royal palace of the Bavarian monarchs in
Munich,
Germany. He may have drawn inspiration for both rooms from late 18th and early 19th-century paintings and a description of
Dolley Madison's parlor at the White House.[23]
^Hanging a painting below a wall sconce was a Boudin trademark, one which he had used before in the bedroom at
Leeds Castle in
Kent,
England.[28]
^The wall sconces and chandelier were almost exact copies of those Boudin had used in the Music Room at Munich Residenz.[28]
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