From Wikipedia, the free encyclopedia
Black Origami
Studio album by
Jlin
ReleasedMay 11, 2017 (2017-05-11)
Recorded2015–2016
Genre
Length44:28
Label Planet Mu
ProducerJerrilynn Patton
Jlin chronology
Dark Lotus
(2015) 		Black Origami
(2017)
Singles from Black Origami
  1. "Nandi"
    Released: November 4, 2015
  2. "Nyakinya Rise"
    Released: January 23, 2017
  3. "Challenge (To Be Continued)"
    Released: May 2, 2017
  4. "Black Origami"
    Released: May 4, 2017
  5. "Holy Child"
    Released: May 10, 2017

Black Origami is the second album by American producer Jlin, first issued for streaming on May 11, 2017 and on other formats by Planet Mu on May 19, 2017. Produced in a year from 2015 to 2016, it features collaborations with William Basinski, Holly Herndon, Fawkes, and Dope Saint Jude. The title of Black Origami describes the structure of the music: the songs are complex pieces that take advantage of silence as much as sounds, similar to how an origami makes intricate art based on plain paper. Two tracks from previous Jlin extended plays appear on Black Origami: "Nandi" from Free Fall (2015) and "Nyakinya Rise" from Dark Lotus (2017).

Black Origami was critically acclaimed upon its release; reviewers highlighted Jlin's increased range in her sound and style, the album's variety of sounds, its percussion and rhythms, and the use of collaborators. Black Origami landed in the top ten of year-end lists by publications such as Exclaim!, Rolling Stone, Spin, Pitchfork, PopMatters, and the Chicago Tribune and was one position shy of making it into the top ten of The Village Voice's annual Pazz & Jop critics poll.

Production

Black Origami features collaborations with Holly Herndon and William Basinski.

Jlin began work on a second album "about May-ish, June-ish of 2015" [4] and completed it a year later. [5] The first track made for it was "Nandi". [4] The next track she worked on was what would become Black Origami's title track, [4] its 24- measure ending of the title track taking three days to complete. [6] She explained that when she made the title track, "I thought I might be onto something and dug deeper. It's started developing into an album before I realized it." [7] After completing the song, Jlin became friends with Indian dancer Avril Stormy Unger. As she explained, "I happened to go to her page one day and I saw videos of her dancing. And I was like, Oh my god, this is it. Her rhythm and movement was matching my rhythm and sound." [4] As a result, Jlin created "Carbon 7" based on Unger's dancing. [4] The next two songs to be completed were "Enigma" and "Hatshepsut", named after an Egyptian queen. [4]

According to Jlin, the staff at Planet Mu called her "stupid because I didn’t wait for someone who should have been on my second album—we had a difference in the work we were collaborating on. Everybody else thought I should have waited and was in total panic mode, so I had to work around them and push past them to make a decision." [5] However, Black Origami still features collaborations with avant-garde producers such as Holly Herndon, William Basinski, Dope Saint Jude, and French artist Fawkes. [8] [9] "Holy Child" began with Jlin emailing a female Baltic folk vocal loop to William Basinski for him to turn into "magic". [10] Basinki first met Jlin unexpectedly during a soundcheck in New York. [9] The penultimate track done for the album was a collaboration with Holly Herndon named "1%". [4] Herndon previously worked with Jlin on "Expand", a track from her debut album Dark Energy (2015). [11] Jlin produced the last songs for the album in India. [10]

Composition

As Exclaim! critic Daniel Sylvester summarized Black Origami, "it's earthy and futuristic, complex and linear, dance-y and a total mind-fuck." [12]

With Black Origami, Jlin, in her words, wanted to do "something different, something that challenged me to my core," and make music "with no boundaries". [13] She wanted to make the music "complex" like an origami, hence the title. [13] As such, Black Origami involves "manipulating silence", much like the "emptiness" of paper origamis are often made of, as much as "volatile beat patterns and otherworldly fragmented sounds," claimed The Fader. [4] The album, as a result, is more spacious than previous Jlin records, to the point where "tracks like the rattling "Enigma" or the glittery splash of "Carbon 7" feel like they should be choreographed with fluid and balletic steps instead of the rapid movements of footwork and juke, even if the rhythms remain at the same BPM as ever," wrote Consequence of Sound's Robert Ham. [14]

As per usual for Jlin's music, the album contains chaotic, unpredictable rhythms and lots of detail in the sound design. [15] In fact, the drums and percussion in the album's original mix sounded so aggressive that Planet Mu instructed the mastering engineer to tone down the harshness of the sound. [15] Black Origami is non-melodic and features sounds of drums, bells, vocal snippets, whistles, and world music percussion samples. [4] It is "propelled by the sheer force of her percussion, her ornate, radical progressions, her shape-shifting sounds," and "an undercurrent of menace", wrote Rebecca Bengal. [10]

Some reviewers noted the album's multicultural influences in the music, [2] [14] [16] [17] particularly of Eastern music. [18] They range from marching-band-style drums ("Hatshepsut") to Bollywood percussion ("Kyanite") to American hip-hop drums ("Never Created, Never Destroyed"). [17] A review by Ham noted Jlin's activities of traveling around the world she did after Dark Energy gained popularity; he suggested that on Black Origami, she "absorb[s] those experiences and influences and bring[s] them to bear on her work with clarity and speed." [14]

Jlin stated Black Origami was not a footwork album, [15] [19] and some publications opined she was right, [20] [3] [15] Spin magazine reasoning the music was "too ornate" and "self-possessed" to be categorized as footwork. [15] On the other hand, Treble magazine claimed the album "echoes and expands on the range" of the genre. [21] AllMusic called the album "fluid and delicate" for a footwork record, also analyzing it is "informed by ballet and contemporary dance in addition to more club-oriented dance styles." [22] Writer Andrew Nosnitsky wrote that Black Origami is several genres "and none of them at once. It’s a rhythm-spanning collection of contradictions and colliding worlds—the intensity of social music refracted through an introverted mind, the physical converted into digital and back again, the past told through future music and vice versa—all making the case that rhythm is too infinite, too forceful to be reduced to mere utilitarian functions." [23]

Some critics compared Black Origami to the 1990s work of Aphex Twin.

Journalist Ben Cardew found Black Origami akin to the 1990s works of Photek, Squarepusher, and Aphex Twin, where it takes "the rhythmic intensity of drum and bass and squeeze[s] and contort[s] it into fascinating new shapes." [16] Spin also compared it to the 1990s music of Aphex Twin for its "determination to plumb the horizontal possibilities of dance music." [15] While most of the tracks are very percussion-heavy, the album also occasionally veers into more ambient pieces like "Calcination". [16] It also features several elements of witch house. [1]

Release and promotion

Jlin announced a follow-up to Dark Energy on April 15, 2016 via an interview with the Line Noise Podcast. She stated it would "veer very far left of footwork", would either be named Black Origami: The Motherboard or Black Origami: Dark Lotus, and was planned to be issued in March 2017. [24] "Nandi" first appeared on Jlin's extended play Free Fall (2015) and was released as a single on November 4, 2015. [25] "Nyakinya Rise" was previously on another Jlin EP titled Dark Lotus and was issued as a single on January 23, 2017. [26] Three more singles were released from Black Origami: "Challenge (To Be Continued)", which premiered via The Fader on May 2, 2017, [4] the title track, which Mixmag made available alongside an interview on May 4, 2017, [19] and "Holy Child". which was released on May 10, 2017. [27]

On May 23, 2017, the video for "Carbon 7" was released. [28] Directed by Joji Koyama, it involves a man played by dancer Corey Scott-Gilbert moving through a dark warehouse. [28] NPR Music first distributed the album for streaming on May 11, 2017, [29] before Planet Mu issued it to CD, digital download, and vinyl on May 19, 2017. [13] As Jlin described the album's cover art, "I love elephants. I. Love. Elephants. Elephants are the most precious thing to me on this planet. So, I asked my label when we designed the cover art [that] I wanted an origami of an elephant. And they sure enough, I don’t know how they did it, they delivered. So there we go." [4]

Critical reception

Professional ratings
Aggregate scores
SourceRating
AnyDecentMusic?8.2/10 [30]
Metacritic89/100 [31]
Review scores
SourceRating
AllMusic [22]
Clash8/10 [32]
Consequence of SoundA− [14]
Exclaim!9/10 [12]
The Irish Times [33]
Mixmag8/10 [34]
Pitchfork8.8/10 [23]
PopMatters8/10 [35]
Resident Advisor4.2/5 [36]
Tiny Mix Tapes4/5 [37]

Upon its release, Black Origami garnered critical acclaim, [31] some reviewers calling it a breakthrough record for Jlin [2] [14] and one of the best albums of 2017 (see the Accolades section for more information). [14] A Spin reviewer honored it as the "future of progressive club music. It is bold, precise, cross-cultural and far more intelligent than waning genres both outside (like rock) and inside (think tech house or even traditional footwork) the dance music world." [38]

Ham called Black Origami, "from all pre-release accounts, the byproduct of an artist finally seeing the world beyond her own backyard." [14] Gigsoup claimed, "While the record will undoubtedly be included on numerous year-end lists, its long-term value lies in its potential to dissolve arbitrary genre restraints and lift similar artists to greater heights." [2] Cardew positively compared it to Aphex Twin for its possibilities in analyzing it academically while also being able to dance to it. [16] Sylvester wrote that with the album, she "broadens the scope of [her style] to create an album beaming with ambition and one-of-a-kind vision." [12] He and a Dusted magazine critic praised its use of collaborators, [20] [12] Sylvester reasoning they gave their respective songs their "own distinct personality." [12] Like Sylvester, Ammar Kalia of Clash magazine wrote that the LP "showcases an artist widening her scope of production, whilst maintaining an ear and a place for the dance floor birthplace of her genre." [32]

Cardew praised the diversity of percussion sounds on the LP, which "range from marching bands to gongs to tablas." [16] The "mastery of percussion" was also honored in a Crack Magazine review, which used the interplay between vocals and drums on "Enigma" and "unsettling microtonal melodies and moments of pure flight amid bottomless sub tumbles" on "Holy Child" as examples. [39] Irish critic Jim Carroll claimed the album "will take your breath away", praising its "scope of the sounds" and "the skill which Jlin uses to marshal the percussive power at her disposal." [33] August Brown of Los Angeles Times called the percussion "intricate and punishing, industrial and artful." [40]

Black Origami received a "Best New Music" label from Pitchfork, who called it a "pure exercise in sound-as-power, music that has no specific agenda beyond simply making itself felt." [23] PopMatters critic Andrew Dorsett noted that the album is "not for everyone", but this fact contributes to the quality because "Jlin has no interest in pleasing anyone, in particular, focusing instead on perfecting her technique and adhering faithfully to her influences and interests." [35] Dorsett also praised how "highly ordered, even regimented" the otherwise chaotic rhythms were, describing the album as a "masterstroke of sheer timing". [35] Resident Advisor honored it as a unique electronic album for being both "intimidating" while also "powerful and distinctive". [36]

The 405 critic Brody Kenny favorably stated, "this is not the work of somebody wanting to shortcut their way into making “atmospheric” music by cutting and pasting old ideas. Rather, it's the mark of someone establishing their unique authorship with the utmost certitude." [1] He highlighted Black Origami's use of tension, writing that the album "shifts moods with enough subtlety to sustain a through line but enough variation to prevent the album from ever losing your attention." [1] He also called it distinct from most experimental albums, because "familiarity with it through multiple listens [doesn't do] anything to lessen the tension it creates. Rather than throwing the listener into a half-hearted mystical void, Jlin has instead created an incredible hyperreality." [1] In a more mixed review, Spectrum Culture stated Black Origami was a "fascinating" listen but criticized it for being "heavy on ideas and light on animal pleasures:" "The sound design is often astonishing, [...] But one can only do so much just with drums, and though the sounds are arranged in beguiling ways, none are particularly weird, and it doesn’t twist its way around the brain the way an equally weird footwork record like Foodman’s Couldwork might." [41]

Accolades

Semester-end lists

Publication Accolade Rank Ref.
The A.V. Club The Best Albums of 2017 So Far
*
[42]
Consequence of Sound Top 25 Albums of 2017 (So Far)
5
[43]
Spin 50 Best Albums of 2017 So Far
7
[44]
Stereogum 50 Best Albums of 2017 So Far
35
[45]
The Vinyl Factory 20 Best Albums of 2017 So Far
*
[46]
"*" indicates an unordered list.

Year-end lists

In The Village Voice's Pazz & Jop, an poll regarding the best albums of the year as voted by more than 400 American music critics, Black Origami ranked number eleven with 345 points. [47]

Track listing

All tracks are written by Jerrilynn Patton except where noted

Black Origami [13]
No.TitleComposerLength
1."Black Origami" 4:30
2."Enigma" 3:48
3."Kyanite" 4:25
4."Holy Child"Patton, William Basinski4:04
5."Nyakinyua Rise" 3:40
6."Hatshepsut" 4:40
7."Calcination"Patton, Fawkes1:38
8."Carbon 7 (161)" 4:13
9."Nandi" 3:30
10."1%"Patton, Holly Herndon3:46
11."Never Created, Never Destroyed"Patton, Dope Saint Jude3:31
12."Challenge (To Be Continued)" 2:43

Sample credits

  • "1%" samples the line "You’re all going to die down here" from the video game Resident Evil (2002). [2]

Personnel

  • Jlin / Jerrilynn Patton – composition, production
  • Beau Thomas – mastering
  • Robert J. Lang and Kevin Box – artwork
  • Bill Stengel – photo
  • Joe Shakespeare and Fabian Harb – sleeve

Release history

Region Date Format(s) Label
Worldwide May 11, 2017 Streaming NPR Music [29]
May 19, 2017
Planet Mu [13]

References

  1. ^ a b c d e Kenny, Brody (May 19, 2017). "Review: Jlin's second album, Black Origami, is an intense and edifyingly rhythmic mental workout" Archived 2018-02-03 at the Wayback Machine. The 405. Retrieved February 2, 2018.
  2. ^ a b c d e Soman, Shaun (May 22, 2017). "Jlin 'Black Origami'" Archived 2017-06-02 at the Wayback Machine. Gigsoup. Retrieved February 3, 2018.
  3. ^ a b Carman Spaccasi, Samantha (June 28, 2017). "Reviews: Jlin, Julie Byrne, Priests" Archived 2018-02-03 at the Wayback Machine. Pretty Much Amazing. Retrieved February 3, 2018.
  4. ^ a b c d e f g h i j k Gaillot, Ann-Derrick (May 2, 2017). "For Jlin, The Only Way Is Up" Archived 2018-02-01 at the Wayback Machine. The Fader. Retrieved January 31, 2018.
  5. ^ a b Huffman, Jibade-Khalil (January 4, 2018). "Jlin" Archived 2018-02-02 at the Wayback Machine. Bomb. New Arts Publications, Inc. Retrieved February 1, 2018.
  6. ^ Raihani, Nadine (December 5, 2016). "Jlin on Finding her Sound" Archived 2018-02-01 at the Wayback Machine. Native Instruments. Retrieved January 31, 2018.
  7. ^ Dorn, Anna (May 5, 2017). ""Expression Changes Constantly": An Interview with Jlin" Archived 2018-02-02 at the Wayback Machine. Passion of the Weiss. Retrieved February 1, 2018.
  8. ^ Reynolds, Simon (May 18, 2017). "Simon Reynolds meets Jlin: 'I got part of my ideology from Coco Chanel'" Archived 2018-02-02 at the Wayback Machine. The Guardian. Retrieved February 1, 2018.
  9. ^ a b Sylvester, Daniel (May 23, 2017). "Jlin's Blank Slate Turns 'Black Origami' into a Global Community Effort" Archived 2018-02-02 at the Wayback Machine. Exclaim!. Retrieved February 1, 2018.
  10. ^ a b c Bengal, Rebecca (May 9, 2017). "Jlin: Woman of Steel" Archived 2018-02-01 at the Wayback Machine. Pitchfork. Retrieved January 31, 2018.
  11. ^ Cush, Andy (May 11, 2015). "Explore Jlin’s Expanding Universe of Collaborators and Friends" Archived 2018-02-02 at the Wayback Machine. Spin. Retrieved February 1, 2018.
  12. ^ a b c d e Sylvester, Daniel (May 21, 2017). "Jlin: Black Origami". Exclaim!. Archived from the original on July 25, 2017. Retrieved July 14, 2017.
  13. ^ a b c d e "Jlin – Black Origami" Archived 2018-04-01 at the Wayback Machine. Planet Mu. Retrieved January 31, 2018.
  14. ^ a b c d e f g Ham, Robert (May 19, 2017). "Jlin – Black Origami". Consequence of Sound. Archived from the original on April 11, 2021. Retrieved May 19, 2017.
  15. ^ a b c d e f Cush, Andy (May 11, 2017). "Jlin's Rust Belt Modernism" Archived 2018-01-04 at the Wayback Machine. Spin. Retrieved February 1, 2018.
  16. ^ a b c d e Cardew, Ben (May 19, 2017). "Jlin – Black Origami" Archived 2023-03-07 at the Wayback Machine. The Quietus. Retrieved February 3, 2018.
  17. ^ a b Hsu, Hua (May 22, 2017). ""Black Origami": Jlin's Moody New Dance Album" Archived 2018-02-04 at the Wayback Machine. The New Yorker. Retrieved February 3, 2018.
  18. ^ Simonson, CJ (July 6, 2017). "BLACK ORIGAMI by Jlin" Archived 2018-02-03 at the Wayback Machine. XFDR. Retrieved February 3, 2018.
  19. ^ a b Ravens, Chal (May 4, 2017). "Very spiritual moments: Jlin is pushing the limits of experimental dance music" Archived 2018-02-03 at the Wayback Machine. Mixmag. Retrieved February 2, 2018.
  20. ^ a b Burnett, Joseph (May 31, 2017). "Jlin — Black Origami (Planet Mu)" Archived 2017-10-12 at the Wayback Machine. Dusted. Retrieved February 3, 2018.
  21. ^ Blyweiss, Adam (May 22, 2017). "Album of the Week: Jlin – Black Origami" Archived 2017-10-04 at the Wayback Machine. Treble. Retrieved February 3, 2018.
  22. ^ a b Simpson, Paul. "Black Origami – Jlin". AllMusic. Archived from the original on March 29, 2019. Retrieved November 16, 2019.
  23. ^ a b c Nosnitsky, Andrew (May 18, 2017). "Jlin: Black Origami". Pitchfork. Archived from the original on May 18, 2017. Retrieved May 19, 2017.
  24. ^ Black, Billy (April 15, 2016). "JLin reveals Dark Energy follow-up" Archived 2018-02-03 at the Wayback Machine. Crack Magazine. Retrieved February 2, 2018.
  25. ^ Leight, Elias (November 4, 2015). "Listen To Jlin’s "Nandi"" Archived 2018-02-02 at the Wayback Machine. The Fader. Retrieved February 1, 2018.
  26. ^ Lozano, Kevin (January 23, 2017). ""Nyakinyua Rise" by Jlin Review" Archived 2018-02-02 at the Wayback Machine. Pitchfork. Retrieved February 1, 2018.
  27. ^ Iadarola, Alexander (May 10, 2017). "Jlin Shares Stirring New Collaboration with William Basinski" Archived 2018-02-01 at the Wayback Machine. Thump. Retrieved February 1, 2018.
  28. ^ a b Rodriguez, Krystal (May 23, 2017). "Jlin Shares a Haunting New Music Video for "Carbon 7"" Archived 2018-02-01 at the Wayback Machine. Thump. Retrieved January 31, 2018.
  29. ^ a b Orlov, Piotr (May 11, 2017). "Review: Jlin, 'Black Origami'" Archived 2018-02-01 at the Wayback Machine. NPR Music. Retrieved January 31, 2018.
  30. ^ "Black Origami by Jlin reviews". AnyDecentMusic?. Archived from the original on January 19, 2018. Retrieved January 18, 2018.
  31. ^ a b "Reviews and Tracks for Black Origami by Jlin". Metacritic. Archived from the original on May 20, 2017. Retrieved May 19, 2017.
  32. ^ a b Kalia, Ammar (May 17, 2017). "Jlin – Black Origami". Clash. Archived from the original on August 25, 2017. Retrieved September 1, 2017.
  33. ^ a b Carroll, Jim (May 23, 2017). "Jlin – Black Origami album review: hypnotic hip-hop beats, intoxicating rhythms". The Irish Times. Archived from the original on January 25, 2018. Retrieved January 24, 2018.
  34. ^ Muggs, Joe (June 2, 2017). "Jlin 'Black Origami' (Planet Mu)". Mixmag. Archived from the original on September 1, 2017. Retrieved September 1, 2017.
  35. ^ a b c Paschal, Andrew (May 26, 2017). "Jlin: Black Origami". PopMatters. Archived from the original on September 1, 2017. Retrieved September 1, 2017.
  36. ^ a b Finlayson, Angus (May 17, 2017). "Jlin – Black Origami". Resident Advisor. Archived from the original on September 1, 2017. Retrieved September 1, 2017.
  37. ^ Henderson, Nick. "Jlin – Black Origami". Tiny Mix Tapes. Archived from the original on September 1, 2017. Retrieved September 1, 2017.
  38. ^ Julious, Britt (May 19, 2017). "Review: Jlin’s Black Origami Is Her Boldest, Brightest Work Yet" Archived 2017-12-07 at the Wayback Machine. Spin. Retrieved February 3, 2018.
  39. ^ Kotz, Theo. "Jlin – 'Black Origami' review" Archived 2018-02-04 at the Wayback Machine. Crack Magazine. Retrieved February 3, 2018.
  40. ^ "What to listen to now: Perfume Genius, Pokey LaFarge, Adrian Marcel and Jlin" Archived 2018-02-04 at the Wayback Machine. Los Angeles Times. May 16, 2017. Retrieved February 3, 2018.
  41. ^ Bromfield, Daniel (May 21, 2017). "Jlin: Black Origami" Archived 2017-08-03 at the Wayback Machine. Spectrum Culture. Retrieved January 18, 2018.
  42. ^ "The Best Albums of 2017 So Far" Archived 2017-12-26 at the Wayback Machine. The A.V. Club. The Onion. June 29, 2017. Retrieved January 30, 2018.
  43. ^ "Top 25 Albums of 2017 (So Far)". Consequence of Sound. June 12, 2017. p. 6. Retrieved January 30, 2018.
  44. ^ "The 50 Best Albums of 2017 So Far" Archived 2020-05-19 at the Wayback Machine. Spin. June 5, 2017. Retrieved January 30, 2018.
  45. ^ "The 50 Best Albums of 2017 So Far" Archived 2020-06-22 at the Wayback Machine. Stereogum. June 6, 2017. Retrieved January 30, 2018.
  46. ^ "The 20 Best Albums of 2017 So Far" Archived 2017-12-26 at the Wayback Machine. The Vinyl Factory. June 30, 2017. Retrieved January 30, 2018.
  47. ^ a b "Pazz & Jop: It's Kendrick's and Cardi's World. We're All Just Living in It." Archived 2021-01-26 at the Wayback Machine. The Village Voice. January 22, 2018. Retrieved February 3, 2018
  48. ^ "Best of 2017" Archived 2018-12-19 at the Wayback Machine. AllMusic. Retrieved January 30, 2018.
  49. ^ "Favorite Electronic Albums" Archived 2021-11-12 at the Wayback Machine. AllMusic. Retrieved January 30, 2018.
  50. ^ "Year In Review: The Beat’s top 10 non-Baltimore albums of 2017" Archived 2018-02-01 at the Wayback Machine. Baltimore Beat. December 23, 2017. Retrieved January 31, 2018.
  51. ^ "The Best Albums of 2017: #20 – #1" Archived 2018-01-30 at the Wayback Machine. Bandcamp Daily. December 15, 2017. Retrieved January 30, 2018.
  52. ^ "Top 10 Albums of the Year 2017" Archived 2018-01-07 at the Wayback Machine. Bleep.com. Retrieved January 30, 2018.
  53. ^ Kot, Greg (December 19, 2017). "Melkbelly leads top 10 Chicago indie albums" Archived 2018-01-31 at the Wayback Machine. Chicago Tribune. Retrieved January 31, 2018.
  54. ^ "Top 50 Albums of 2017" Archived 2023-01-17 at the Wayback Machine. Consequence of Sound. December 26, 2017. p. 2. Retrieved January 29, 2018.
  55. ^ "The Top 100 Albums of 2017" Archived 2017-12-12 at the Wayback Machine. Crack Magazine. p. 2. Retrieved January 30, 2018.
  56. ^ Hall, Parker (December 2, 2017). "The 50 Best Albums of 2017" Archived 2019-05-10 at the Wayback Machine. Digital Trends. p. 3. Retrieved January 29, 2018.
  57. ^ "Top 10 Dance and Electronic Albums of 2017". Exclaim!. December 6, 2017. Archived from the original on January 11, 2018. Retrieved January 10, 2018.
  58. ^ "The 50 Best Albums of 2017" Archived 2017-12-20 at the Wayback Machine. Fact. December 20, 2017. Retrieved January 30, 2018.
  59. ^ Chris (December 3, 2017). "Albums of 2017" Archived 2017-12-09 at the Wayback Machine. Gorilla vs. Bear. Retrieved January 30, 2018.
  60. ^ Womack, Andrew. "The Top Albums of 2017" Archived 2018-06-24 at the Wayback Machine. The Morning News. Retrieved 3 March 2018.
  61. ^ "The Top 50 Albums of 2017" Archived 2018-01-23 at the Wayback Machine. Mixmag. December 14, 2017. Retrieved January 29, 2018.
  62. ^ "The 100 Best Albums of 2017" Archived 2018-01-04 at the Wayback Machine. Noisey. December 6, 2017. Retrieved January 30, 2018.
  63. ^ "The 10 best albums of 2017" Archived 2017-12-19 at the Wayback Machine. Now. December 12, 2017. Retrieved January 30, 2018.
  64. ^ "The 50 Best Albums Of 2017" Archived 2017-12-13 at the Wayback Machine. NPR Music. December 12, 2017. p. 2. Retrieved January 30, 2018.
  65. ^ "Best Albums of 2017" Archived 2018-01-31 at the Wayback Machine. Passion of the Weiss. December 19, 2017. p. 2. Retrieved January 30, 2018.
  66. ^ Ribakoff, Sam (December 11, 2017). "The Best Electronic Albums of 2017" Archived 2018-02-02 at the Wayback Machine. Passion of the Weiss. December 11, 2017. Retrieved January 30, 2018.
  67. ^ "End of Year Review 2017: Top 100 Albums" Archived 2017-12-22 at the Wayback Machine. Piccadilly Records. Retrieved January 30, 2018.
  68. ^ "The 50 Best Albums of 2017". Pitchfork. December 12, 2017. Archived from the original on December 13, 2017. Retrieved December 13, 2017.
  69. ^ Sherburne, Phillip (December 18, 2017). "The 20 Best Electronic Albums of 2017" Archived 2018-01-14 at the Wayback Machine. Pitchfork. Retrieved January 29, 2018.
  70. ^ "The 60 Best Albums of 2017" Archived 2018-06-30 at the Wayback Machine. PopMatters. December 11, 2017. p. 6. Retrieved January 30, 2018.
  71. ^ Kanoniuk, Lachlan, Chatterjee, Uppy (December 28, 2017). "The Best Albums of 2017" Archived 2018-01-31 at the Wayback Machine. Red Bull Music Academy. Retrieved January 30, 2018.
  72. ^ "2017's Best Albums" Archived 2018-01-18 at the Wayback Machine. Resident Advisor. December 22, 2017. Retrieved January 29, 2018.
  73. ^ "50 Best Albums of 2017" Archived 2017-11-27 at the Wayback Machine. Rolling Stone. November 27, 2017. Retrieved January 30, 2018.
  74. ^ "20 Best EDM and Electronic Albums of 2017" Archived 2018-01-31 at the Wayback Machine. Rolling Stone. December 13, 2017. Retrieved January 30, 2018.
  75. ^ "Albums of the Year 2017" Archived 2018-12-07 at the Wayback Machine. Rough Trade. Retrieved January 30, 2018.
  76. ^ "Quietus Albums Of The Year 2017, In Association With Norman Records". The Quietus. December 23, 2017. Retrieved January 30, 2018.
  77. ^ "Top 50 Albums of 2017" Archived 2017-12-07 at the Wayback Machine. The Skinny. November 29, 2017. Retrieved January 30, 2018.
  78. ^ "Top 20 Albums of 2017" Archived 2018-01-30 at the Wayback Machine. Spectrum Culture. December 19, 2017. p. 2. Retrieved January 30, 2018.
  79. ^ "50 Best Albums of 2017" Archived 2017-12-21 at the Wayback Machine. Spin. December 18, 2017. Retrieved January 29, 2018.
  80. ^ Stereogum Staff (December 5, 2017). "The 50 Best Albums of 2017". Stereogum. Archived from the original on December 7, 2017. Retrieved December 6, 2017.
  81. ^ "29 Best Albums of 2017 You Need to Know" Archived 2018-06-12 at the Wayback Machine. Time Out New York. December 11, 2017. Retrieved January 30, 2018.
  82. ^ "2017: Favorite 50 Music Releases" Archived 2018-01-25 at the Wayback Machine. Tiny Mix Tapes. December 18, 2017. p. 3. Retrieved January 30, 2018.
  83. ^ "The Top 50 Albums of 2017" Archived 2018-01-31 at the Wayback Machine. Treble. December 8, 2017. p. 3. Retrieved January 30, 2018.
  84. ^ "The 10 Best Electronic Albums of 2017" Archived 2018-02-10 at the Wayback Machine. Treble. December 6, 2017. Retrieved January 31, 2018.
  85. ^ "Our 50 favourite albums of 2017" Archived 2018-12-19 at the Wayback Machine. The Vinyl Factory. Retrieved January 30, 2018.
  86. ^ "Rewind 2017: Releases of the Year 1–50". The Wire. No. 407. London. January 2018. p. 32. Archived from the original on 2018-07-11. Retrieved 2018-07-22 – via Exact Editions.(subscription required)
  87. ^ "XLR8R's Best of 2017: Releases" Archived 2018-01-30 at the Wayback Machine. XLR8R. December 2017. Retrieved January 29, 2018.

External links

Retrieved from " https://en.wikipedia.org/?title=Black_Origami&oldid=1218708021"