Literary movement in the United States in the early-to mid 19th century
American literary nationalism was a
literary movement in the United States in the early-to mid 19th century, which consisted of American authors working towards the development of a distinct
American literature. Literary figures such as
Henry Wadsworth Longfellow,
William Cullen Bryant and
William Ellery Channing advocated the creation of a definitively American form of literature with emphasis "on spiritual values and social usefulness." Longfellow wrote that "when we say that the literature of a country is national, we mean that it bears upon it the stamp of national character." Many authors of the time also advocated tying the literature to religion.[1][2][3][4][5][6][7][8][9] These demands were also couched in a perceived contrast between the English author as a "well-off amateur writer ... who writes in his spare time for personal amusement" and the American as a "professional author, writing out of economic necessity".[10]
Aftermath of the War of 1812
The predominant rhetoric of early post-
War of 1812 literary nationalists advocated more expansive treatment of American characters, settings, and events, but expressed with a
morality and style that matched British conventions. Critic and author
John Neal was unique in this early period for demanding and experimenting with natural
diction and "ungenteel and sometimes bluntly
profane"[11] American
colloquialism.[12] The predominant early rhetoric is exemplified by
James Fenimore Cooper, who in 1828 claimed that "the literature of England and that of America must be fashioned after the same models."[13] A forerunner of later American voices, Neal expressed the same year in the
"Unpublished Preface" to Rachel Dyer that "to succeed...[the American writer] must resemble nobody...[he] must be unlike all that have gone before [him]" and issue "another Declaration of Independence, in the great Republic of Letters."[14]
Literary nationalist criticism
The Portico magazine under
Stephen Simpson and
Tobias Watkins played an important early role in promoting literary nationalist criticism by Neal and others during its two-year run 1816–1818.[15] In January 1820, English critic
Sydney Smith quipped in the Edinburgh Review "In the four-quarters of the globe, who reads an American book?".
James Kirke Paulding issued a scathing reply later that year in the Salmagundi, calling for the US to develop its own rival literature that abandons "servile imitation" of British precedent.[16] Such advocacy in newspapers and magazines became more fashionable after 1830.[17]
Literary magazines and impact of the movement
The United States Magazine and Democratic Review under
John L. O'Sullivan was a highly successful journal in the 1830s that published many American authors. O'Sullivan wrote in the magazine's first issue that "we have no national literature ... the vital principal of an American national literature must be democracy." He continued to say that "the voice of America might be made to produce a powerful and beneficial effect on the development of truth." In 1847,
The Literary World was founded. Devoted to reviewing American works, it soon became one of America's most influential literary magazines. By 1850, the movement had generally succeeded. The authors involved in developing an American literature would continue to shape it for "the next 100 years".[1][9]
^Merlob, Maya (2012). "Chapter 5: Celebrated Rubbish: John Neal and the Commercialization of Early American Romanticism". In Watts, Edward; Carlson, David J. (eds.). John Neal and Nineteenth Century American Literature and Culture. Lewisburg, Pennsylvania: Bucknell University Press. p. 114.
ISBN9781611484205.
^Merlob, Maya (2012). "Chapter 5: Celebrated Rubbish: John Neal and the Commercialization of Early American Romanticism". In Watts, Edward; Carlson, David J. (eds.). John Neal and Nineteenth Century American Literature and Culture. Lewisburg, Pennsylvania: Bucknell University Press. p. 109.
ISBN9781611484205.
^Lease, Benjamin (1972). That Wild Fellow John Neal and the American Literary Revolution. Chicago, Illinois: University of Chicago Press. p. 69–70.
ISBN9780226469690.
^Fishwick, Marshall W. (1951). "The Portico and Literary Nationalism after the War of 1812". William and Mary Quarterly. 8 (2). Omohundro Institute of Early American History and Culture: 238–245.
doi:
10.2307/1916907.
JSTOR1916907.
Levine, Robert S. (2008). Dislocating race & nation : episodes in nineteenth-century American literary nationalism. Chapel Hill: University of North Carolina Press.
ISBN978-0-8078-8788-2.
OCLC405080003.