The album was reviewed by Richard S. Ginnel at
Allmusic who wrote of Previn and Perlman that "the two classical partners actually made a really charming album the first time around" and compared Previn to "...the proverbial bicyclist who took a long sabbatical but never forgot how to ride", writing that he "still had plenty of keyboard invention in his fingers, and his tunes are consistently witty" and Perlman as "...not quite swinging but creating an alluring illusion of jazz feeling". Ginnel credits the album with anticipating "the rash of 'crossover' albums by classical artists that didn't take hold until late in the 1980s. And it remains more enjoyable than the vast majority of its successors".[2]
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