You can help expand this article with text translated from the corresponding article in French. (April 2018) Click [show] for important translation instructions. View a machine-translated version of the French article. Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Consider adding a topic to this template: there are already 6,130 articles in the main category, and specifying|topic= will aid in categorization. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing French Wikipedia article at [[:fr:Zutiste]]; see its history for attribution. You should also add the template {{Translated|fr|Zutiste}} to the talk page. For more guidance, see Wikipedia:Translation.

The Zutistes or the Circle of Poets Zutiques was an informal group of French poets, painters and musicians who met at the Hôtel des Étrangers, at the corner of rue Racine and rue de l'École-de-Médecine, in Paris in September and October 1871.

Background

The Zutistes were a fringe spin-off from a splinter group of Parnassians, known as the "Nasty Fellows" or "Villains Bonshommes", ^[1] who formed a Parisian dining club at the close of the 1860s. Without having a formal manifesto, and taking their name from the French exclamation of baffled exasperation, Zut, ^[2] this informal gathering of artists known as the Zutistes gathered around the figure of the pianist Ernest Cabaner, who worked as a bartender/piano player at the hotel. Anarchic in spirit, they looked back regretfully to the atmosphere of the Paris Commune of March to May 1871. ^[3] A significant figure in the circle was Charles Cros, while other members were later better known, like Verlaine and Rimbaud.

The Album

The most significant trace of the movement came with the re-discovery in the Thirties of the Zutique Album, with some 101 literary entries accompanied by (sometimes pornographic) drawings. ^[4]

Shot through with black humour, and riddled with parody and pastiche of contemporary styles and attitudes, ^[5] the album is the best guide to the Circle's membership of some fourteen names. A central target of the Album's mockery was the recently successful Parnassian Francois Coppee, while other more established figures like José-Maria de Heredia and Leconte de Lisle were also in the line of fire. ^[6] This album is in the form of an in-quarto Italian, black hardback cover, about thirty sheets handwritten, the other pages remained blank.

Aftermath

Nostalgia for the circle persisted among its members long after its break-up, perhaps as early as the winter of 1871–1872: thus for example the young Zutiste Raoul Ponchon was one of only seven recipients of Rimbaud's A Season in Hell; ^[7] Charles Cros in 1883 used "zutique" to name a new poetry circle; while (perhaps coincidentally) as late as in 1897 the claim would be made that "man is by nature essentially 'zutique'". ^[8]

See also

References

External links

• Album called Zutique