Vincent Novello (6 September 1781 – 9 August 1861), was an English musician and music publisher born in London.[1] He was a chorister and organist, but he is best known for bringing to England many works now considered standards, and with his son he created a major music publishing house.
Life
Vincent was the son of Giuseppe Novello, an Italian confectioner who moved to London in 1771.[2] As a boy Vincent was a chorister at the
Sardinian Embassy Chapel in Duke Street,[3][4]Lincoln's Inn Fields, where he learnt the organ from
Samuel Webbe; and from 1796 to 1822 he became in succession organist of the Sardinian, Spanish (in
Manchester Square) and Portuguese (in South Street,
Grosvenor Square) chapels, and from 1840 to 1843 of
St Mary Moorfields. He taught music privately throughout his career. One of his most notable pupils was musicologist and music critic
Edward Holmes. He was an original member of the
Philharmonic Society, of the Classical Harmonists and of the Choral Harmonists, officiating frequently as conductor. In 1849 he went to live at
Nice, where he died.[5]
Legacy
Many of his compositions were sacred music, much of which was very popular. His great contribution, however, together with
Christian Ignatius Latrobe, lay in the introduction to England of unknown compositions by the great masters, such as the
Masses written
by Haydn and those
by Mozart,[6] the works of
Palestrina, the treasures of the
Fitzwilliam Museum, and innumerable, now well known great compositions. His first work, a collection of Sacred Music, as performed at the Royal Portuguese Chapel, which appeared in 1811, has the additional interest of dating the founding of the publishing firm
Novello & Co which carries his name, as he issued the collection from his own house; and he did the same with succeeding works, until his son
Joseph Alfred Novello (1810–1896), who had started as a bass singer, took over as head of the business in 1829 until 1833 at the early age of nineteen.[7][5]
It was Alfred who really created the business, and he is credited with introducing cheap music and of departing from the method of publishing by subscription. From 1841 Henry Littleton assisted him, becoming a partner in 1861, when the firm became Novello & Co., and, on J.A. Novello's retirement in 1866, sole proprietor. Having incorporated the firm of Ewer & Co. in 1867, the title was changed to Novello, Ewer & Co., and still later back to Novello & Co., and, on Henry Littleton's death in 1888, his two sons carried on the business.[5]
Family
Novello and his wife, Mary Sabilla (née Hehl), had eleven children. Five of his daughters survived to adulthood, four of them gifted singers. Among the children were:
Joseph Alfred Novello (1810–1896), singer, music publisher, founded The Musical Times in 1844, retired in 1866 and sold off his stake in Novello & Co.
Cecilia Serle (née Novello) (1812-1890) was an actress and singer, a pupil of the singing teacher Mrs. Blaine Hunt. She achieved early success on the stage but retired in 1836 when she married
Thomas James Serle, a playwright, actor, novelist, and editor of a London weekly newspaper.[8]
Edward Petre Novello (1813-1836) showed promise as a painter but died young.[2] He painted the family portrait, The Novello Family around 1830, and a portrait of Clara Novello in 1833. They are now at the National Portrait Gallery.[9]
Clara Novello (1818–1908), was a soprano, one of the best known vocalists in opera and oratorio, and on the concert stage, from 1833 onward. In 1843 she married Count Gigliucci, but after a few years returned to her profession, retiring in 1860.
Charles Lamb wrote a poem (To Clara N.) in her praise.[5]
Sabilla Novello (1821–1904), singer, teacher of singing and translator.
^Sardinia Street (Demolished). BRITISH HISTORY ONLINE; The old Sardinia Street (formerly Duke Street) was abolished in 1906 in connection with the Kingsway thoroughfare project; accessed 10 August 2015.