Václav Brožík | |
---|---|
Born | |
Died | 15 April 1901 | (aged 50)
Nationality | Czech |
Education | Academy of Fine Arts in Prague |
Known for | Painting |
Notable work |
Jan Hus before the Council of Constance (1883) Tu Felix Austria Nube (1886) |
Movement | Academicism |
Spouse | Hermine Sedelmayer |
Awards | Gold medal winner at the
Salon (1878) Legion of Honour (1884) Ennobled by Emperor Franz Joseph I (1887) |
Elected | Institut de France (1896) |
Václav Brožík (pronounced [vɑ:tslaf br̩oʒiːk]; 6 March 1851, Třemošná – 15 April 1901 Paris) was a Czech painter who worked in the academic style.
He came from a poor family, studying lithography and porcelain painting through apprenticeships. Beginning in 1868, with financial assistance from a local landowner, he was able to attend the Academy of Fine Arts in Prague. He made a trip to the Netherlands, where he studied the Old Masters, then settled in Paris (despite not being able to speak French), where a letter of recommendation assured him the support of Jaroslav Čermák. In 1879 he married Hermina Sedelmeyer, daughter of the wealthy Parisian art dealer Charles Sedelmeyer. [1] For most of his life, he divided his time between Paris and Prague, where he became a Professor at the Art Academy in 1893.
He was named a member of the Institut de France, partly through the influence of his father-in-law, who also suggested that he do a painting on the theme "Tu Felix Austria Nube" (from an old saying: "Let others wage war: thou, happy Austria, marry"). [2] The result pleased Emperor Franz Joseph I, who was involved in an unhappy marriage. As a result, Brožík was elevated to the nobility. [1]
He also became a member of the Académie des Beaux-Arts, received the Grand Cross of the Légion d'Honneur [3] and was appointed to the Czech Academy of Arts and Sciences. [4] One of his 1884 paintings, showing Columbus soliciting the aid of Queen Isabella, appeared on a United States postage stamp in 1893. [5] [6]
His health began to decline in 1894, but he threw himself into painting even more diligently. He died suddenly of heart failure in 1901 and was buried in Montmartre. [1] Appreciation of his work suffered a serious decline after his death, as it was considered old-fashioned, but a major retrospective in 2003 has created some renewed interest.