Tugging rituals and games | |
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Country | Cambodia - Lbaengteanhprot Philippines - Punnuk South Korea - Juldarigi Vietnam - Keo co |
Domains |
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Reference | 01080 |
Region | Asia and the Pacific |
Inscription history | |
Inscription | 2015 (10th session) |
List | Intangible Cultural Heritage of Humanity |
Tugging rituals and games are four cultural practices in Cambodia, Philippines, South Korea, and Vietnam, which were collectively included in UNESCO's Intangible Cultural Heritage of Humanity List in 2015. [1] The tugging rituals and games, namely lbaengteanhprot ( Khmer: ល្បែងទាញព្រ័ត្រ), punnuk, juldarigi ( Korean: 줄다리기), and keo co ( Vietnamese: kéo co), include two teams, with each pulling one end of a rope, attempting to tug it from the other. [2] [3] [4] [5]
The tugging rituals and games promote social solidarity, provide entertainment and mark the start of a new agricultural cycle. [6] While these traditional practices often emphasize competition, the game is intended to show the importance of cooperation. [2]
They are often organized in front of a village's communal house or shrine, preceded by commemorative rites to local protective deities. [7] Village elders play active roles in leading and organizing younger people in playing the game and holding accompanying rituals. [1]
Lbaengteanhprot is performed during the Cambodian New Year and Chlong Chet, a rice farming festivity. [8] It is performed by two opposing teams, normally women against men, in an open space at a village center or in a Buddhist monastery compound. [9]
The tugging ritual and game is practiced among the rice cultivating communities located around Tonle Sap and the area north of Angkor Wat, a UNESCO World Heritage Site. [10]
In the Philippines, punnuk is practiced in Hungduan, Ifugao. [11] The tugging ritual and game, held at the Hapao River, is performed after the completion of harvest. [12] It formally closes the farming cycle and signals the beginning of a new one upon commencing with the punnuk. [13]
The tugging ritual and game consists of groups of men wielding a hooked sapling of the attoba tree. [12] The men use the hook to hold on to a woven anthropomorphic figure that is thrown in the middle of the river. [13] They pull against the other contenders. It is believed that the winning group will have a bountiful harvest. [11]
The South Korean juldarigi is practiced in the agricultural areas of Dangjin, Namhae, Milyang, and Uiryeong, and the fishing area of Samcheok. [14] The ropes used in juldarigi are made from kudzu, hemp, or rice straw, depending on the geographical or ecological conditions on a region or the characteristics of the local livelihood. [15] Rope production requires the concerted efforts of the entire community over a period of almost a month. [16] The rope symbolizes a dragon, which is believed to bring rain. [15]
The tugging ritual and game divides the group into two teams. [4] In places that divide participants into teams by gender, it is generally believed that women must win to bring prosperity and fertility. [17] Meanwhile, in regions that divide teams by township, it is thought that good fortune is brought by the victory of the team from an eastward town. [18]
In Viet Nam, keo co is practiced mostly in the northern midlands, the Red River Delta, the north-central region, and Lao Cai Province. [10] The tugging ritual and game is often held as a part of the spring festivities, marking the beginning of a new farming cycle and expressing wishes for healthy crops. [19] In some areas, keo co is also tied to the stories of local heroes and their contributions in fighting against invaders and defending the people. [20]
The tugging ritual and game is often organized in front of a village's communal house or shrine, preceded by rites for the local deities. [21] The materials used in keo co vary depending on the ecological and cultural context of each community. They can be made of bamboo poles, rattan cords, or hemp. [15]