The Piano | |
---|---|
Directed by | Jane Campion |
Written by | Jane Campion |
Produced by | Jan Chapman |
Starring | |
Cinematography | Stuart Dryburgh |
Edited by | Veronika Jenet |
Music by | Michael Nyman |
Production companies | |
Distributed by |
BAC Films (France) Miramax [1] (Australia and New Zealand; through Buena Vista International [2] and Roadshow Film Distributors [3]) |
Release dates |
|
Running time | 117 minutes |
Countries | New Zealand Australia France |
Languages | English Māori British Sign Language |
Budget | US$7 million [4] |
Box office | US$140 million [5] |
The Piano is a 1993 historical drama film written and directed by Jane Campion. It stars Holly Hunter, Harvey Keitel, Sam Neill, and Anna Paquin in her first major acting role. The film focuses on a mute Scottish woman who travels to a remote part of New Zealand with her young daughter after her arranged marriage to a frontiersman.
A co-production between New Zealand, Australia, and France, The Piano was a critical and commercial success, grossing US$140.2 million worldwide (equivalent to $284 million in 2022) against its US$7 million budget (equivalent to $14.2 million in 2022). Hunter and Paquin both received high praise for their performances. In 1993, the film won the Palme d'Or at the Cannes Film Festival, making Campion the first female director to receive the award. It won three Academy Awards out of eight total nominations in March 1994: Best Actress for Hunter, Best Supporting Actress for Paquin, and Best Original Screenplay for Campion. Paquin was 11 years old at the time and remains the second-youngest actor to win an Oscar in a competitive category.
The plot has similarities to Jane Mander's 1920 novel, The Story of a New Zealand River, but also substantial differences. Campion has cited the novels Wuthering Heights and The African Queen as inspirations. [6]
In the mid-1800s, [7] a Scotswoman named Ada McGrath who chooses not to speak is sold by her father into marriage with New Zealand frontiersman Alisdair Stewart, along with her daughter Flora. Ada has not spoken since the age of six, and the reason remains unknown. She communicates through playing the piano and sign language, with Flora acting as her interpreter. Ada had a relationship with a piano teacher whom she believed she had seduced through mental telepathy, resulting in Flora's birth, but the teacher left her after becoming frightened and refusing to listen.
Ada and Flora, along with their handcrafted piano, are stranded on a New Zealand beach by a ship's crew. The next day, Alisdair arrives with his Māori crew and neighbour George Baines, a retired sailor who's adapted to Maori customs, including facial tattoos. Alisdair initially tells Ada that they don't have enough bearers for the piano and then refuses to go back for it, claiming that they all need to make sacrifices. Ada is determined to be reunited with her piano, and coldly rejects Alisdair's advances. Desperate to retrieve her beloved piano, Ada seeks out George's help. Although he can't read her note, he is entranced by her music and agrees to help her. George offers Alisdair the land he's been coveting in exchange for the piano and Ada's lessons. Alisdair agrees, oblivious to George's attraction to Ada. Ada is enraged by George's proposition, but ultimately agrees to trade lessons for piano keys. She restricts the lessons to the black keys only and resists George's demands for more intimacy. Ada continues to rebuff Alisdair's advances while exploring her sensuality with George. George eventually realizes that Ada will never commit to him emotionally and returns the piano to her, acknowledging that their arrangement has made her a "whore" and him "wretched." George confesses that he wants Ada to care for him genuinely.
Although Ada has her piano back, she still longs for George and returns to him. Alisdair overhears them having sex and even watches them through a crack in the wall. Furious, he follows Ada the next day and confronts her in the forest, where he tries to force himself on her despite her strong resistance. Alisdair ultimately coerces Ada into promising she will no longer see George.
Shortly after, Ada instructs Flora to deliver a package to George, which contains a piano key with a love declaration engraved on it. Flora hesitates, but eventually delivers it to Alisdair instead. Enraged after reading the message, Alisdair cuts off Ada's index finger with an axe, depriving her of the ability to play the piano. He sends Flora to George with the severed finger, warning him to stay away from Ada or he will chop off more fingers. Later, while touching Ada as she sleeps, Alisdair hears what he thinks is her voice in his head, asking him to let George take her away. He goes to George's house and asks if Ada has ever spoken to him, but George assures him she has not. George and Ada leave together from the beach at which Ada first arrived in New Zealand, with her belongings and piano tied onto a Māori longboat. As they row to the ship, Ada asks George to throw the piano overboard. Ada allows her leg to be caught by the rope attached to the piano and is dragged underwater with it, in an attempt to drown herself. As she sinks, she appears to change her mind and struggles free before being pulled to safety.
In the epilogue, Ada describes her new life with George and Flora in Nelson, New Zealand, where she gives piano lessons in their new home. George has made her a metal finger to replace the one she lost, and Ada has been practicing and taking speech lessons. She sometimes dreams of the piano resting at the bottom of the ocean with her still tethered to it.
The film was originally titled The Piano Lesson, but the filmmakers could not obtain the rights to use the title because of the American play of the same name, and it was changed to The Piano. [8]
Casting the role of Ada was a difficult process. Sigourney Weaver was Campion's first choice, but ultimately turned down the role. Jennifer Jason Leigh was also considered, but had a conflict with her commitment to Rush (1991). [9] Isabelle Huppert met with Jane Campion and had vintage period-style photographs taken of her as Ada, and later said she regretted not fighting for the role as Hunter did. [10]
The casting for Flora occurred after Hunter had been selected for the part. They did a series of open auditions for girls age 9 to 13, focusing on girls who were small enough to be believable as Ada's daughter (as Holly Hunter is relatively short at 157 cm / 5' 2" tall [11]). Anna Paquin ended up winning the role of Flora over 5,000 other girls. [12]
Alistair Fox has argued that The Piano was significantly influenced by Jane Mander's The Story of a New Zealand River. [13] Robert Macklin, an associate editor with The Canberra Times newspaper, has also written about the similarities. [14] The film also serves as a retelling of the fairytale " Bluebeard", [15] [16] itself depicted as a scene in the Christmas pageant.
In July 2013, Campion revealed that she originally intended for the main character to drown in the sea after going overboard after her piano. [17]
Principal photography took place over 12 weeks from February to mid-May 1992. [18]
Reviews for the film were overwhelmingly positive. Roger Ebert wrote: "The Piano is as peculiar and haunting as any film I've seen" and "it is one of those rare movies that is not just about a story, or some characters, but about a whole universe of feeling". [19] Hal Hinson of The Washington Post called it an "evocative, powerful, extraordinarily beautiful film". [20]
The Piano was named one of the best films of 1993 by 86 film critics, making it the most acclaimed film of 1993. [21]
In his 2013 Movie Guide, Leonard Maltin gave the film 3 1/2 stars out of 4, calling the film a "haunting, unpredictable tale of love and sex told from a woman's point of view" and went on to say "writer-director Campion has fashioned a highly original fable, showing the tragedy and triumph erotic passion can bring to one's daily life". [22]
On review aggregator website Rotten Tomatoes, the film holds an approval rating of 90% based on 71 reviews, and an average rating of 8.50/10. The website's critical consensus reads: "Powered by Holly Hunter's main performance, The Piano is a truth-seeking romance played in the key of erotic passion." [23] On Metacritic, the film has a weighted average score of 89 out of 100, based on 20 critics, indicating "universal acclaim". [24]
The film was the highest-grossing New Zealand film of all-time surpassing Footrot Flats: The Dog's Tale (1986) with a gross of $NZ3.8 million. [25]
It grossed over US$140 million worldwide, including $7 million in Australia, $16 million in France, and $39 million in the United States and Canada. [26]
The film was nominated for eight Academy Awards (including Best Picture), winning three for Best Actress (Holly Hunter), Best Supporting Actress (Anna Paquin) and Best Original Screenplay (Jane Campion). At age 11, Anna Paquin became the second youngest competitive Academy Award winner (after Tatum O'Neal in 1973). [27]
At the Cannes Film Festival, the film won the Palme d'Or (sharing with Chen Kaige's Farewell My Concubine), with Campion becoming the first woman to win the honour, as well as the first filmmaker from New Zealand to achieve this. [28] [29] Holly Hunter also won Best Actress. [30]
In 2019, the BBC polled 368 film experts from 84 countries to name the 100 best films by women directors, and The Piano was named the top film, with nearly 10% of the critics polled giving it first place on their ballots. [31]
Award | Category | Recipient(s) | Result | Ref. |
---|---|---|---|---|
20/20 Awards | Best Picture | Nominated | ||
Best Director | Jane Campion | Nominated | ||
Best Actress | Holly Hunter | Won | ||
Best Supporting Actress | Anna Paquin | Nominated | ||
Best Original Screenplay | Jane Campion | Nominated | ||
Best Art Direction | Andrew McAlpine | Nominated | ||
Best Cinematography | Stuart Dryburgh | Nominated | ||
Best Costume Design | Janet Patterson | Nominated | ||
Best Film Editing | Veronika Jenet | Nominated | ||
Best Original Score | Michael Nyman | Nominated | ||
Academy Awards | Best Picture | Jan Chapman | Nominated | [32] |
Best Director | Jane Campion | Nominated | ||
Best Actress | Holly Hunter | Won | ||
Best Supporting Actress | Anna Paquin | Won | ||
Best Screenplay – Written Directly for the Screen | Jane Campion | Won | ||
Best Cinematography | Stuart Dryburgh | Nominated | ||
Best Costume Design | Janet Patterson | Nominated | ||
Best Film Editing | Veronika Jenet | Nominated | ||
American Cinema Editors Awards | Best Edited Feature Film | Nominated | ||
American Society of Cinematographers Awards | Outstanding Achievement in Cinematography in Theatrical Releases | Stuart Dryburgh | Nominated | [33] |
Argentine Film Critics Association Awards | Best Foreign Film | Jane Campion | Won | |
Australian Film Institute Awards | Best Film | Jan Chapman | Won | [34] |
Best Direction | Jane Campion | Won | ||
Best Actor in a Leading Role | Harvey Keitel | Won | ||
Best Actress in a Leading Role | Holly Hunter | Won | ||
Best Actor in a Supporting Role | Sam Neill | Nominated | ||
Best Actress in a Supporting Role | Kerry Walker | Nominated | ||
Best Original Screenplay | Jane Campion | Won | ||
Best Cinematography | Stuart Dryburgh | Won | ||
Best Costume Design | Janet Patterson | Won | ||
Best Editing | Veronika Jenet | Won | ||
Best Original Music Score | Michael Nyman | Won | ||
Best Production Design | Andrew McAlpine | Won | ||
Best Sound | Lee Smith, Tony Johnson, Gethin Creagh, Peter Townsend and Annabelle Sheehan | Won | ||
Awards Circuit Community Awards | Best Director | Jane Campion | Nominated | |
Best Actress in a Leading Role | Holly Hunter | Won | ||
Best Actress in a Supporting Role | Anna Paquin | Won | ||
Best Original Screenplay | Jane Campion | Nominated | ||
Best Costume Design | Janet Patterson | Nominated | ||
Best Original Score | Michael Nyman | Nominated | ||
Best Production Design | Andrew McAlpine | Nominated | ||
Bodil Awards | Best Non-American Film | Jane Campion | Won | [35] |
Boston Society of Film Critics Awards | Best Actress | Holly Hunter | Won | [36] |
British Academy Film Awards | Best Film | Jan Chapman and Jane Campion | Nominated | [37] |
Best Direction | Jane Campion | Nominated | ||
Best Actress in a Leading Role | Holly Hunter | Won | ||
Best Original Screenplay | Jane Campion | Nominated | ||
Best Cinematography | Stuart Dryburgh | Nominated | ||
Best Costume Design | Janet Patterson | Won | ||
Best Editing | Veronika Jenet | Nominated | ||
Best Original Music | Michael Nyman | Nominated | ||
Best Production Design | Andrew McAlpine | Won | ||
Best Sound | Lee Smith, Tony Johnson and Gethin Creagh | Nominated | ||
British Society of Cinematographers | Best Cinematography in a Theatrical Feature Film | Stuart Dryburgh | Nominated | [38] |
Camerimage | Golden Frog (Main Competition) | Won | ||
Cannes Film Festival | Palme d'Or | Jane Campion | Won [a] | [30] |
Best Actress | Holly Hunter | Won | ||
César Awards | Best Foreign Film | Jane Campion | Won | [39] |
Chicago Film Critics Association Awards | Best Film | Nominated | [40] | |
Best Foreign Language Film | Won | |||
Best Director | Jane Campion | Nominated | ||
Best Actress | Holly Hunter | Won | ||
Best Supporting Actress | Anna Paquin | Nominated | ||
Best Screenplay | Jane Campion | Nominated | ||
Best Original Score | Michael Nyman | Won | ||
Dallas–Fort Worth Film Critics Association Awards | Best Film | Nominated | ||
Best Director | Jane Campion | Nominated | ||
Best Actress | Holly Hunter | Won | ||
David di Donatello Awards | Best Foreign Actress | Nominated | ||
Directors Guild of America Awards | Outstanding Directorial Achievement in Motion Pictures | Jane Campion | Nominated | [41] |
Film Critics Circle of Australia Awards | Best Director | Won | [42] | |
Best Supporting Actor – Female | Anna Paquin | Won | ||
Best Screenplay | Jane Campion | Won | ||
Best Musical Score | Michael Nyman | Won | ||
Golden Globe Awards | Best Motion Picture – Drama | Nominated | [43] | |
Best Actress in a Motion Picture – Drama | Holly Hunter | Won | ||
Best Supporting Actress – Motion Picture | Anna Paquin | Nominated | ||
Best Director – Motion Picture | Jane Campion | Nominated | ||
Best Screenplay – Motion Picture | Nominated | |||
Best Original Score – Motion Picture | Michael Nyman | Nominated | ||
Golden Reel Awards | Best Sound Editing – Foreign Feature | Martin Oswin | Won | |
Guldbagge Awards | Best Foreign Film | Won | [44] | |
Independent Spirit Awards | Best International Film | Won | [45] | |
Japan Academy Film Prize | Outstanding Foreign Language Film | Nominated | ||
Kinema Junpo Awards | Best Foreign Language Film | Jane Campion | Won | |
London Film Critics Circle Awards | Film of the Year | Won |
[46] [47] | |
Actress of the Year | Holly Hunter | Won | ||
Los Angeles Film Critics Association Awards | Best Picture | Runner-up | [48] | |
Best Director | Jane Campion | Won | ||
Best Actress | Holly Hunter | Won | ||
Best Supporting Actress | Anna Paquin | Won [b] | ||
Best Screenplay | Jane Campion | Won | ||
Best Cinematography | Stuart Dryburgh | Won [c] | ||
Best Music Score | Michael Nyman | Runner-up | ||
Medias Central European Film Festival | Best Picture (Audience Award) | Jane Campion | Won | |
Nastro d'Argento | Best Foreign Director | Nominated | ||
National Board of Review Awards | Top Ten Films | 4th Place | [49] | |
Best Actress | Holly Hunter | Won | ||
National Society of Film Critics Awards | Best Film | 2nd Place | [50] | |
Best Director | Jane Campion | 2nd Place | ||
Best Actress | Holly Hunter | Won | ||
Best Supporting Actress | Anna Paquin | 3rd Place | ||
Best Screenplay | Jane Campion | Won | ||
Best Cinematography | Stuart Dryburgh | 2nd Place | ||
New York Film Critics Circle Awards | Best Film | Runner-up | [51] | |
Best Director | Jane Campion | Won | ||
Best Actress | Holly Hunter | Won | ||
Best Screenplay | Jane Campion | Won | ||
Best Cinematographer | Stuart Dryburgh | Runner-up | ||
Political Film Society Awards | Democracy | Nominated | ||
Producers Guild of America Awards | Outstanding Producer of Theatrical Motion Pictures | Jan Chapman | Nominated | [52] |
Most Promising Producer in Theatrical Motion Pictures | Won | |||
Robert Awards | Best Foreign Film | Jane Campion | Won | |
SESC Film Festival | Best Foreign Film | Won | ||
Southeastern Film Critics Association Awards | Best Picture | Jan Chapman | Won | [53] |
Top Ten Films | Won | |||
Best Director | Jane Campion | Won | ||
Best Actress | Holly Hunter | Won | ||
Turkish Film Critics Association Awards | Best Foreign Film | Won | ||
Vancouver International Film Festival | Most Popular International Film | Jane Campion | Won | |
Writers Guild of America Awards | Best Screenplay – Written Directly for the Screen | Won | [54] |
The score for the film was written by Michael Nyman, and included the acclaimed piece "The Heart Asks Pleasure First"; additional pieces were "Big My Secret", "The Mood That Passes Through You", "Silver Fingered Fling", "Deep Sleep Playing" and "The Attraction of the Pedalling Ankle". This album is rated in the top 100 soundtrack albums of all time and Nyman's work is regarded as a key voice in the film, which has a mute lead character. [55]
The film was released on DVD in 1997 by LIVE Entertainment and on Blu-ray on 31 January 2012 by Lionsgate, but already released in 2010 in Australia. [56]
On 11 August 2021, the Criterion Collection announced their first 4K Ultra HD releases, a six-film slate, will include The Piano. Criterion indicated each title will be available in a 4K UHD+Blu-ray combo pack, including a 4K UHD disc of the feature film as well as the film and special features on the companion Blu-ray. The Piano was released on January 25, 2022. [57]