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Not to be confused with The Great White Hype.
The Great White Hope
Theatrical release poster
Directed by Martin Ritt
Screenplay by Howard Sackler
Based on The Great White Hope
by Howard Sackler
Produced by Lawrence Turman
Starring James Earl Jones
Jane Alexander
Cinematography Burnett Guffey
Edited by William Reynolds
Music by Lionel Newman
Production
company
Lawrence Turman Films
Distributed by 20th Century Fox
Release date
  • October 11, 1970 (1970-10-11)
Running time
103 minutes
CountryUnited States
LanguageEnglish
Budget$9.87 million [1]
Box office$9.325 million (rentals) [2]

The Great White Hope is a 1970 American biographical romantic drama film written and adapted from the 1967 Howard Sackler play of the same name. [3] [4] [5]

The film was directed by Martin Ritt, starring James Earl Jones, Jane Alexander, Chester Morris, Hal Holbrook, Beah Richards and Moses Gunn. Jones and Alexander, who also appeared in the same roles in the stage versions, received Best Actor and Actress Academy Award nominations for their performances.

The film and play is based on the true story of boxer Jack Johnson and his first wife, Etta Terry Duryea, and the controversy over their marriage and Duryea's death by suicide in 1912. [6]

Plot

Set between 1910 and 1915, the story follows Jack Jefferson, patterned after real-life boxer Jack Johnson, going on a hot streak of victories in the boxing ring as he defeats every white boxer around. Soon the press and others who want to see white people win at sports, announce the search for a "great white hope", a white boxer who will defeat Jefferson for the heavyweight title.

Jefferson, meanwhile, prepares for a few more matches, but he lets his guard down by courting the beautiful, and very white, Eleanor Bachman, and when everyone, including Jack's black "wife", discover this, the tensions grow to fever pitch. Jack's close black friends become scared over his pushing the envelope of success and the white authorities conspire to frame him for unlawful sexual relations with Eleanor and thereby take away his title. It leads to jealousy, a run from the law, and finally, tragedy.

Cast

Reception

The film opened to positive responses from both audiences and critics. They especially loved the performances of both James Earl Jones and Jane Alexander, who were in the original stage play: they won Tonys for the play. Jones would get bigger roles after this film, and Alexander made a debut here. Jones later contributed commentary to a documentary about Jack Johnson that would sum up this film, saying: "To know the story of Jack Johnson is to know that it is a study in hubris." [7]

Critic Vincent Canby referred to the film as "One of those liberal, well-meaning, fervently uncontroversial works that pretend to tackle contemporary problems by finding analogies at a safe remove in history". [8] Critic Emanuel Levy wrote called it a "well-acted drama". [9] Variety said: “Jones' re-creation of his stage role is an eye-riveting experience. The towering rages and unrestrained joys of which his character was capable are portrayed larger than life.”

On Rotten Tomatoes the film has an approval rating of 43% based on reviews from 7 critics. [10] On Metacritic the film has a score of 53% based on reviews from 7 critics, indicating "mixed or average reviews". [11]

Box Office

According to Fox records, the film required $16,075,000 in rentals to break even. By December 11, 1970, it had earned $9,325,000 in rentals, thus the studio took a loss on the film. [2]

Awards and nominations

Award Category Nominee(s) Result Ref.
Academy Awards Best Actor James Earl Jones Nominated [12]
Best Actress Jane Alexander Nominated
American Cinema Editors Awards Best Edited Feature Film William Reynolds Nominated
Golden Globe Awards Best Actor in a Motion Picture – Drama James Earl Jones Nominated [13]
Most Promising Newcomer – Male Won
Most Promising Newcomer – Female Jane Alexander Nominated
Kinema Junpo Awards Best Foreign Language Film Martin Ritt 10th Place
Laurel Awards Star of Tomorrow – Female Jane Alexander 8th Place
NAACP Image Awards Outstanding Supporting Actress in a Motion Picture Beah Richards Won
Writers Guild of America Awards Best Drama – Adapted from Another Medium Howard Sackler Nominated [14]

See also

References

  1. ^ Solomon, Aubrey. Twentieth Century Fox: A Corporate and Financial History (The Scarecrow Filmmakers Series). Lanham, Maryland: Scarecrow Press, 1989. ISBN  978-0-8108-4244-1. p256
  2. ^ a b Silverman, Stephen M (1988). The Fox that got away : the last days of the Zanuck dynasty at Twentieth Century-Fox. L. Stuart. p.  329. ISBN  9780818404856.
  3. ^ Clive Barnes (October 4, 1968). "Theater: Howard Sackler's 'Great White Hope'" (PDF). The New York Times.
  4. ^ Vincent Canby (October 12, 1970). "'Great White Hope' Brought to Screen". The New York Times.
  5. ^ Sackler, Howard (1968). The Great White Hope, A Play. New York, NY: The Dial Press, Inc. OCLC  451597.
  6. ^ Unforgivable Blackness Retrieved May 11, 2016
  7. ^ "A FISTFUL OF BLACK REBELLION". Hartford Courant. December 12, 2004. Retrieved February 14, 2023.
  8. ^ Canby, Vincent (October 12, 1970). "'Great White Hope' Brought to Screen". The New York Times. ISSN  0362-4331. Retrieved February 14, 2023.
  9. ^ EmanuelLevy. "Oscar Movies: Great White Hope, The (1970) | Emanuel Levy". Retrieved February 14, 2023.
  10. ^ "The Great White Hope (1970)". Rotten Tomatoes.
  11. ^ "The Great White Hope". Metacritic.
  12. ^ "The 43rd Academy Awards (1971) Nominees and Winners". Academy of Motion Picture Arts and Sciences. Retrieved July 4, 2015.
  13. ^ "The Great White Hope". Golden Globe Awards. Retrieved October 21, 2023.
  14. ^ "Awards Winners". Writers Guild of America Awards. Archived from the original on December 5, 2012. Retrieved June 6, 2010.

External links

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