On a farm, Daffy Duck eagerly awaits his new Dick Tracy comic book, rushing to read it as soon as it arrives. Knocking himself out while imagining himself as "Duck Twacy," he embarks on a comical detective adventure. Mistaking ordinary objects for criminals, like a mousehole for the hideout of "Mouse Man," Daffy finds himself pursued by a colorful array of villains, including Snake Eyes, 88 Teeth, and Rubberhead.
In a chaotic showdown, Daffy manages to outwit the villains with slapstick tactics, including turning Neon Noodle into a neon sign. Finally, he recovers the stolen piggy banks, including his own, and wakes up on the farm, unwittingly kissing a real pig. Recoiling in horror, Daffy flees, leaving the enamored pig declaring her love for him in amusement.
Reception
Animation historian Steve Schneider writes, "Banners and bouquets to the great Bob C. for this still-astonishing melange of ultra-silliness and film noir. He creates a realm where stylizations feed into the fugue states so beloved of the director, where animation's capacity for compressing and distending space and time (and bodies!) is stunningly realized, where terror and hilarity are shown to be natural bedmates, and where the whacked-out visions come so fast and thick that the thing seems to anticipate MTV by forty years."[3]
Allusions and influence
The short is Clampett's penultimate Warner cartoon, produced shortly before he left the studio.
The opening where Daffy waits for the mail and gets his comic book, lies down on the ground and says, "I can't wait to see what happens to Dick Tracy!" is a reused gag from Clampett's Farm Frolics.
Daffy's early line about Dick Tracy, "I love that man!" and the pig's closing line, "I love that duck!" are references to a popular catch-phrase of the time,
"Love dat man!", said by the character Beulah on Fibber McGee and Molly.[4] Clampett would use the gag again in his next and final cartoon at Warner Bros., The Big Snooze.
A sequel, The Night of the Living Duck, would follow in 1988, with Daffy reading a fictional horror/science-fiction comic Hideous Tales in that film. Pumpkinhead also makes a cameo in that film.
In the Tiny Toon Adventures episode "New Character Day", there was a segment called "The Return of Pluck Twacy" where
Plucky Duck is in that homages this cartoon. Here, Pluck Twacy had to rescue
Shirley the Loon's aura (who is really Hatta Mari) from gangsters like Ticklepuss (based on Sloppy Moe from Wagon Heels), Soupy Man (an anthropomorphic soup can), Jack the Zipper (an anthropomorphic
zipper), Boston Dangler (an upside-down Bostonian on a trapeze), Flatbottom (a naval criminal with a miniature
battleship for a butt), Boxcars (a train conductor based on the
Peter Lorre scientist), the Generic Thugs, Wolvertoon (a deformed version of
Bugs Bunny in a homage to
Basil Wolverton's drawings),
Millipede Pete (an anthropomorphic millipede), the Chorus Line Men, and the other unnamed grotesque criminals.
In the scene in which Daffy is seen through a door in silhouette as Duck Twacy, he briefly morphs into Dick Tracy's trademark profile.
After Daffy shoots through the door with his
Tommy gun and the rogues' gallery of characters begin falling, there is a brief shot of a well-endowed woman falling among them.
Animation historian Steve Schneider said of this picture:
...Bob Clampett's forever priceless The Great Piggy Bank Robbery is clearly a work of the highest cinematic poetry, for prompting the film's manic hilarity are a sequence of images that remain among the most indelible in cartoon history.[5]
Animator
John Kricfalusi (creator of
Ren and Stimpy) called The Great Piggy Bank Robbery his favorite cartoon: "I saw this thing and it completely changed my life, I thought it was the greatest thing I'd ever seen, and I still think it is."[6]
The Great Piggy Bank Robbery was the first of several cartoons in which Daffy Duck would do a parody of a well-known character, but the only one in which he was actually competent. In other take-offs, such as The Scarlet Pumpernickel, he was somewhat buffoonish, though still able to intimidate the villains. But, in later stories such as Stuporduck, Boston Quackie, Robin Hood Daffy and Deduce, You Say? (in which he played "Doorlock Holmes"), Daffy was hopelessly outmatched.
In 1994, it was voted No. 16 of the
50 Greatest Cartoons of all time by members of the animation field.[5]
^Beck, Jerry; Friedwald, Will (1989). Looney Tunes and Merrie Melodies: A Complete Illustrated Guide to the Warner Bros. Cartoons. Henry Holt and Co. p. 169.
ISBN0-8050-0894-2.