"There's a different feel to ... [this album, and co-producers Steve Bing and Jim Keltner] bring the Killer back where he belongs ... Jerry Lee is once again singing some of that old-time rock & roll. It's a back-to-basics move, and to that end, Bing and Keltner made the canny decision to dial back the superstar cameos that threatened to overwhelm Lewis on Last Man Standing and Mean Old Man ... which means the album belongs to nobody but the Killer. He sounds his age, as he should at 79, but he still sounds vibrant, whether he's once again singing Chuck Berry songs he's played countless times before, or laying into Kris Kristofferson's "Rock & Roll Time," Bob Dylan's obscure "Stepchild," or Mack Vickery's "Keep Me in Mind." The emphasis is on greasy groove, an appropriate move considering the Killer's advanced age, but by placing feel first and foremost, it's possible to pay attention to how Lewis' vocal phrasing remains sly and supple. Nobody else can sing like Jerry Lee and it remains a pleasure to hear him sink his teeth into nearly any song, especially when he's supported by a team as sympathetic as he is here."[9]
^Rolling Stone:
Jerry Lee Lewis makes his most personal LP in years with some seriously heavy-hitting sidemen "For his follow-up to 2006's Last Man Standing and 2010's Mean Old Man, Jerry Lee Lewis once again invites his famous friends to play on some old favorites. This time, though, he's not in a duetting mood. Lewis relegates the likes of Keith Richards, Robbie Robertson, Neil Young and Nils Lofgren to guitar and backing vocals – making this less a star-studded spectacle than a personal statement, with the 79-year-old singer bringing his voice and piano to several blues standards, a couple of Chuck Berry tunes and an unexpected Dylan deep cut ("Stepchild")."