A society ( /səˈsaɪəti/) is a group of individuals involved in persistent social interaction or a large social group sharing the same spatial or social territory, typically subject to the same political authority and dominant cultural expectations. Societies are characterized by patterns of relationships ( social relations) between individuals who share a distinctive culture and institutions; a given society may be described as the sum total of such relationships among its constituent members. In the social sciences, a larger society often exhibits stratification or dominance patterns in subgroups.
Societies construct patterns of behavior by deeming certain actions or concepts acceptable or unacceptable. These patterns of behavior within a given society are known as societal norms. Societies and their norms undergo gradual and perpetual changes.
So far as it is collaborative, a society can enable its members to benefit in ways that would otherwise be difficult on an individual basis; both individual and social (common) benefits can thus be distinguished, or in many cases, found to overlap. A society can also consist of like-minded people governed by their own norms and values within a dominant, larger society. This is sometimes referred to as a subculture, a term used extensively within criminology and also applied to distinctive subsections of a larger society.
More broadly, and especially within structuralist thought, a society may be illustrated as an economic, social, industrial, or cultural infrastructure made up of, yet distinct from, a varied collection of individuals. In this regard, society can mean the objective relationships people have with the material world and with other people, rather than "other people" beyond the individual and their familiar social environment. ( Full article...)
Extermination of Evil is a set of five paintings believed to have been created in the 12th century, depicting traditional Asian deities banishing evil. The paintings are collectively listed as a National Treasure of Japan and held at the Nara National Museum. Clockwise, from top left: Sendan Kendatsuba, Shinchū, Bishamonten, Tenkeisei, and Shōki.
Su Song ( simplified Chinese: 苏颂; traditional Chinese: 蘇頌; pinyin: Sū Sòng; style name: Zirong 子容) (1020–1101 AD) was a renowned Chinese polymath who specialized himself as a statesman, astronomer, cartographer, horologist, pharmacologist, mineralogist, zoologist, botanist, mechanical and architectural engineer, poet, antiquarian, and ambassador of the Song dynasty (960–1279). Su Song was the engineer of a water-driven astronomical clock tower in medieval Kaifeng, which employed the use of an early escapement mechanism. The escapement mechanism of Su's clock tower had previously been invented by Buddhist monk Yi Xing and government official Liang Lingzan in 725 AD to operate a water-powered armillary sphere, although Su's armillary sphere was the first to be provided with a mechanical clock drive. Su's clock tower also featured the oldest known endless power-transmitting chain drive, called the tian ti (天梯), or "celestial ladder", as depicted in his horological treatise.The clock tower had 133 different clock jacks to indicate and sound the hours. Su Song's treatise about the clock tower, Xinyi Xiangfayao (新 儀 . 象 法 要), has survived since its written form in 1092 and official printed publication in 1094. The book has been analyzed by many historians, such as Joseph Needham. However, the clock itself was dismantled by the invading Jurchen army in AD 1127, and although attempts were made to reassemble the clock tower, it was never successfully reinstated. Although the Xinyi Xiangfayao was his best known treatise, the polymath had other works compiled as well. He completed a large celestial atlas of several star maps, several terrestrial maps, as well as a treatise on pharmacology. The latter discussed related subjects on mineralogy, zoology, botany, and metallurgy. ( Full article...)
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