Mesoamerica ( Spanish: Mesoamérica) is a region and cultural area in the Americas, extending approximately from central Mexico to Belize, Guatemala, El Salvador, Honduras, Nicaragua, and Costa Rica, within which a number of pre-Columbian societies flourished before the Spanish colonization of the Americas in the 15th and 16th centuries.
As a cultural area, Mesoamerica is defined by a mosaic of cultural traits developed and shared by its indigenous cultures. Beginning as early as 7000 BC the domestication of maize, beans, squash and chili, as well as the turkey and dog, caused a transition from paleo-Indian hunter-gatherer tribal grouping to the organization of sedentary agricultural villages. In the subsequent formative period, agriculture and cultural traits such as a complex mythological and religious tradition, a vigesimal numeric system, and a complex calendric system, a tradition of ball playing, and a distinct architectural style, were diffused through the area. Also in this period villages began to become socially stratified and develop into chiefdoms with the development of large ceremonial centers, interconnected by a network of trade routes for the exchange of luxury goods such as obsidian, jade, cacao, cinnabar, Spondylus shells, hematite, and ceramics. While Mesoamerican civilization did know of the wheel and basic metallurgy, neither of these technologies became culturally important.
Among the earliest complex civilizations was the Olmec culture which inhabited the Gulf coast of Mexico. In the Preclassic period, complex urban polities began to develop among the Maya and the Zapotecs. During this period the first true Mesoamerican writing systems were developed in the Epi-Olmec and the Zapotec cultures, and the Mesoamerican writing tradition reached its height in the Classic Maya Hieroglyphic script. Mesoamerica is one of only five regions of the world where writing was independently developed. In Central Mexico, the height of the Classic period saw the ascendancy of the city of Teotihuacan, which formed a military and commercial empire whose political influence stretched south into the Maya area and northward. During the Epi-Classic period the Nahua peoples began moving south into Mesoamerica from the North. During the early post-Classic period Central Mexico was dominated by the Toltec culture, Oaxaca by the Mixtec, and the lowland Maya area had important centers at Chichén Itzá and Mayapán. Towards the end of the post-Classic period the Aztecs of Central Mexico built a tributary empire covering most of central Mesoamerica.
Chacmool (also spelled chac-mool) is the term used to refer to a particular form of pre-Columbian Mesoamerican sculpture depicting a reclining figure with its head facing 90 degrees from the front, supporting itself on its elbows and supporting a bowl or a disk upon its stomach. These figures possibly symbolised slain warriors carrying offerings to the gods; the bowl upon the chest was used to hold sacrificial offerings, including pulque, tamales, tortillas, tobacco, turkeys, feathers and incense. In an Aztec example the recipient is a cuauhxicalli (a stone bowl to receive sacrificed human hearts). Chacmools were often associated with sacrificial stones or thrones.
Aztec chacmools bore water imagery and were associated with Tlaloc, the rain god. Their symbolism placed them on the frontier between the physical and supernatural realms, as intermediaries with the gods. The chacmool form of sculpture first appeared around the 9th century AD in the Valley of Mexico and the northern Yucatán Peninsula.
K'inich Yat Ahk II (Mayan pronunciation: [kʼinitʃ jat akh]), also known as Ruler 7, was the final ajaw of Piedras Negras, an ancient Maya settlement in Guatemala. He ruled during the Late Classic Period, from 781 to roughly 808 AD. Possibly a descendant of Itzam K'an Ahk II, K'inich Yat Ahk II ascended the throne upon the death of his brother, the sixth ajaw of the site, Ha' K'in Xook. While K'inich Yat Ahk II presided over the destruction of the rival Maya site Pomona, his reign seems to have ended with the capture of Piedras Negras by K'inich Tatbu Skull IV of Yaxchilan. Itzam K'an Ahk II left behind several monuments, including stelae at Piedras Negras, a stone seat known as Throne 1 which records either the death or abdication of Ha' K'in Xook, and Panel 3 which recounts the exploits of Itzam K'an Ahk II.
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The Wrestler is an ancient basalt statuette that is one of the most important sculptures of the Olmec culture. The near life-size figure has been praised not only for its realism and sense of energy, but also for its aesthetic qualities. Since 1964, the sculpture has been part of the collection of the Museo Nacional de Antropología in Mexico City.
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