"Gloria" is a rock song written by Northern Irish singer-songwriter
Van Morrison, and originally recorded by Morrison's band
Them in 1964. It was released as the
B-side of "
Baby, Please Don't Go". The song became a
garage rock staple and a part of many rock bands' repertoires.[6]
Composition and recording
According to Morrison, he wrote "Gloria" while performing with the Monarchs in Germany in the summer of 1963, at just about the time he turned 18 years old.[7] He started to perform it at the Maritime Hotel when he returned to
Belfast and joined up with the Gamblers to form the band Them. He would
ad-lib lyrics as he performed, sometimes stretching the song to 15 or 20 minutes. After signing a contract with
Dick Rowe and
Decca, Them went to London for a recording session at Decca Three Studios in West Hampstead on 5 April 1964; "Gloria" was one of the seven songs recorded that day.
Besides Morrison, present were Billy Harrison on guitar, Alan Henderson on bass guitar, Ronnie Millings on drums and Pat McCauley on keyboards. Rowe brought in session musicians
Arthur Greenslade on organ and
Bobby Graham on drums, since he considered the Them members too inexperienced. There remains some dispute about whether Millings and McCauley were actually miked, but Alan Henderson contends that Them constituted the first rock group to use two drummers on a recording.[8] Although some sources claim that
Jimmy Page played second guitar, other sources deny this.[9][10]
Releases and charts
Decca Records released "Gloria" as the B-side of "
Baby, Please Don't Go" in the UK on 6 November 1964, with only the latter reaching the singles chart. In the US, the same pairing was released by
Parrot Records, which became a regional hit on the US West Coast.[11] Between March and June 1965, the single (both songs) appeared on weekly Top 40 playlists for Los Angeles radio station
KRLA, reaching number one for three weeks in April.[12][13][14] A year later, after the release of a cover version of "Gloria" by
the Shadows of Knight, Them's original entered the national
Billboard Hot 100 chart. Both peaked during the week of 14 May 1966, with Them at number 75 and the Shadows of Knight at number 10.[15]Cash Box described it as "a bluesy, up tempo stomp'er devoted to 'Gloria'".[16]
1965 –
The Shadows of Knight recorded "Gloria", which was released as a single in December 1965 and later included on the
album of the same name.
Bill Janovitz describes it as "a faithful, though tamer version of the original".[11] The song reached number 10 on the Billboard Hot 100 and number 8 on Canada's
RPM charts in 1966,[15] due to its popularity with radio stations that chose not to play Them's original because of its lyrics – the Shadows of Knight replaced Morrison's line "She comes to my room" with "She calls out my name".[17][18][19]
The Canadian band King-Beezz reached number 75 on the
RPM charts with their version, June 6, 1966.[20]
1966–1970 –
The Doors performed the song several times, with one recording released on Alive, She Cried (1983). It was also released as a single, which reached number 18 on Hot Mainstream Rock Tracks and number 71 on Billboard Hot 100 in 1983.[21] The song is included on Legacy: The Absolute Best (2003) and The Very Best of The Doors (2007).
1975 –
Patti Smith recorded it for her album Horses. Based on the Van Morrison tune, the lyrics had been adapted from an early poem, 'Oath'.[6] Smith's band had started to play the song live and merged it with the poem by 1974, so the song contained half of Smith's own words.[6] For the recording of her debut album, Smith and her band recorded the song live and, after mixing, chose it as the album's opener.[6] The spoken intro begins, "Jesus died for somebody's sins, but not mine," being the statement of the album.[11] According to Janovitz, "Smith's intermingling of lascivious sex and religious guilt (or lack thereof) certainly foreshadows similar sacred/profane juxtapositions from ultra-feminine
Madonna and androgynous
Prince."[11]
2017 -
Car Seat Headrest frequently interpolated Patti Smith's cover into the song "Connect The Dots (The Story of Frank Sinatra).[27]
Recognition
One explanation for the timeless popularity of the song was offered in
AllMusic's review by
Bill Janovitz:[11]
The beauty of the original is that Van Morrison needs only to speak-sing, in his
Howlin' Wolf growl, "I watch her come up to my house/She knocks upon my door/And then she comes up to my room/I want to say she makes me feel all right/G-L-O-R-I-A!" to convey his teenage lust. The original Latin meaning of the name is not lost on Morrison. Them never varies from the three chords, using only dynamic changes to heighten the tension.
[correction note; there is an E Minor that is the second chord of Gloria, and people need to listen to Van Morrison play it audibly. it is not a mistake. GLORIA has 4 chords.]
"Gloria" was rated number 69 on
Dave Marsh's list in the 1989 book The Heart of Rock & Soul: The 1001 Greatest Singles Ever Made. He described the song as "one of the few rock songs that's actually as raunchy as its reputation."[28]
In his book Rock and Roll: The 100 Best Singles,
Paul Williams said about the two sides of the "Baby Please Don't Go/Gloria" recording: "Into the heart of the beast ... here is something so good, so pure, that if no other hint of it but this record existed, there would still be such a thing as rock and roll ... Van Morrison's voice a fierce beacon in the darkness, the lighthouse at the end of the world. Resulting in one of the most perfect rock anthems known to humankind."[29]
^Williams, Paul; Berryhill, Cindy Lee (December 1993). "Baby Please Don't Go / Gloria – Them (1964)". Rock and Roll: The 100 Best Singles (Hardcover ed.). United States: Entwhistle Books. pp. 71–72.
ISBN978-0-934558-41-9.
Williams, Paul; Berryhill, Cindy Lee (December 1993). "Baby Please Don't Go / Gloria – Them (1964)". Rock and Roll: The 100 Best Singles (Hardcover ed.). United States: Entwhistle Books. pp. 71–72.
ISBN978-0-934558-41-9.