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Summary

Pierre-Auguste Renoir: Le Pont Neuf   wikidata:Q3828409  reasonator:Q3828409
Artist
Pierre-Auguste Renoir  (1841–1919)    wikidata:Q39931  s:en:Author:Pierre-Auguste Renoir  q:en:Pierre-Auguste Renoir
 
Pierre-Auguste Renoir
Alternative names
Auguste Renoir
Description French painter, sculptor, illustrator, printmaker, drawer and architectural draftsperson
Date of birth/death 25 February 1841  Edit this at Wikidata   Edit this at Wikidata
Location of birth/death Limoges Cagnes-sur-Mer
Work period 1854  Edit this at Wikidata–1919  Edit this at Wikidata
Work location
Authority file
artist QS:P170,Q39931

Details on Google Art Project
image of artwork listed in title parameter on this page
Title
Pont Neuf, Paris
title QS:P1476,en:"Pont Neuf, Paris"
label QS:Len,"Pont Neuf, Paris"
Object type painting
object_type QS:P31,Q3305213
Genre cityscape  Edit this at Wikidata
Date 1872
date QS:P571,+1872-00-00T00:00:00Z/9
Medium oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
Dimensions height: 75.30 mm (2.96 in); width: 93.70 mm (3.68 in)
dimensions QS:P2048,75.3U174789
dimensions QS:P2049,93.7U174789
institution QS:P195,Q214867
Accession number
1970.17.58
Object history

The artist; (his sale, Paris, 24 March 1875, no. 42); purchased by (Durand-Ruel, Paris); sold to Nicolas Auguste Hazard [1834-1913], Paris; (Hazard sale, Paris, 1 December 1919, no. 206); purchased by Georges Bernheim, Paris; sold 1921 to Ralph M. Coe, Cleveland; on joint account with (Carroll Carstairs, New York) and (M. Knoedler & Co., New York) by 1935;[1] from whom acquired 1936 by Marshall Field [1893-1956], New York;[2] Dr. and Mrs. [née Barbara Field] Robert Boggs, New York, NY, USA; Mr. and Mrs. Peter Benziger [Mrs. Benziger was previously Mrs. Boggs]. (M. Knoedler and Co., London, New York, and Paris); sold December 1966 to Ailsa Mellon Bruce [1901-1969]; bequest 1970 to NGA.

[1]Lent by Coe to 1933 exhibition in Philadelphia, per an unnumbered checklist published in The Pennsylvania Museum Bulletin XXIX, December 1933, p. 19. Exhibited at Carstairs Gallery, French Impressionists and After, December 1935-January 1936, no. 2. Copy of catalogue in NGA curatorial records annotated "Marshall Field."

[2]The acquisition by a "New York collector" was announced in Art News, 28 November 1936, p. 17. This is presumably Marshall Field, who lent the painting to exhibitions between 1937-1944.
Inscriptions
  • A. Renoir .72.  Edit this at Wikidata
Notes More info at museum site
References
Source/Photographer WAFRh_vU9ZvTPg at Google Cultural Institute maximum zoom level

Licensing

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

The author died in 1919, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

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Date/TimeThumbnailDimensionsUserComment
current 03:25, 20 December 2012 Thumbnail for version as of 03:25, 20 December 20127,659 × 6,116 (23.32 MB)Paris 16- border
21:00, 18 October 2012 Thumbnail for version as of 21:00, 18 October 20127,660 × 6,117 (20.48 MB)DcoetzeeBot=={{int:filedesc}}== {{Google Art Project |commons_artist={{Creator:Pierre-Auguste Renoir}} |commons_title= |commons_description= |commons_date= |commons_medium= |commons_dimensions= |commons_institution= |commons_location= |commons_references= |common...
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